Solomon Burke

Solomon Burke (March 21, 1940 – October 10, 2010) was an American recording artist and vocalist, who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s[2]  and a "key transitional figure in the development of soul music from rhythm and blues.[3] [4]  He had a string of hits including "Cry to Me", "If You Need Me", "Got to Get You Off My Mind", "Down in the Valley" and "Everybody Needs Somebody to Love". Burke was referred to as "King Solomon", the "King of Rock 'n' Soul", "Bishop of Soul" and the "Muhammad Ali of soul".[5] [6] [1]  Due to Burke's minimal chart success in comparison to other soul music greats such as James Brown, Wilson Pickett and Otis Redding, Burke is often described as the genre's "most unfairly overlooked singer" of its golden age.[7]  Atlantic Records executive Jerry Wexler once referred to Burke as "the greatest male soul singer of all time".[1] [6] [8]

Burke's most famous recordings, which spanned five years in the early 1960s, bridged the gap between mainstream R&B and grittier R&B.[9]  Burke was "a singer whose smooth, powerful articulation and mingling of sacred and profane themes helped define soul music in the early 1960s."[10]  He drew from his roots - gospel, jazz, countryand blues - as well as developing his own style at a time when R&B, and rock were both still in their infancy.[11]  Described as both "Rabelaisian"[12]  and also as a "spiritual enigma,"<sup class="reference" id="cite_ref-r8_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  "perhaps more than any other artist, the ample figure of Solomon Burke symbolized the ways that spirituality and commerce, ecstasy and entertainment, sex and salvation, individualism and brotherhood, could blend in the world of 1960s soul music."<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;">[14]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock and Roll Hall of Fame as a performer. His album Don't Give Up on Me won theGrammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.<sup class="reference" id="cite_ref-bluesandsoul.com_11-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[11] <sup class="reference" id="cite_ref-r10_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[15] <sup class="reference" id="cite_ref-r11_16-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[16]  Rolling Stone ranked Burke as #89 on its 2008 list of "100 Greatest Singers of All Time."<sup class="reference" id="cite_ref-Jonathan_Lethem_2008_17-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[17]

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Contents
[hide]  *1 Early life and career <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;"> ==Early life and career<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke was born James Solomon McDonald<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;">[18]  on March 21, 1940 in the upper floor of his grandmother Eleanor Moore's home,<sup class="reference" id="cite_ref-r31_19-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[19]  a row house in West Philadelphia.<sup class="reference" id="cite_ref-birthday_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-r8_13-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[13] <sup class="reference" id="cite_ref-a1_20-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[20] <sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;">[21]  Burke was the child of Josephine Moore<sup class="reference" id="cite_ref-r30_22-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[22]  and an absentee father. His mother Josephine was a nurse, schoolteacher, concert performer and pastor.<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;">[23] <sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  Burke was consecrated a bishop at birth by his grandmother in the Solomon's Temple, a congregation of the United House of Prayer for All People, which she founded at her home in Black Bottom, West Philadelphia.<sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;">[25] <sup class="reference" id="cite_ref-r12_26-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[26]  When Burke was nine, his mother married rabbi and butcher Vincent Burke<sup class="reference" id="cite_ref-r8_13-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  and had his name changed to Solomon Vincent McDonald Burke.<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  Burke's friends and family called him "Sol".<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  Burke was the godson of Daddy Grace.<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;">[27]
 * 2 Career
 * 2.1 Early recordings
 * 2.2 Work with Atlantic Records
 * 2.2.1 Branding
 * 2.2.2 Impact
 * 2.2.3 Decline with Atlantic
 * 2.3 Later recordings
 * 2.4 Final recordings
 * 3 Entrepreneurship
 * 4 Bishopry and community work
 * 5 Personal life
 * 5.1 Family members
 * 6 Declining health and death
 * 7 Legacy
 * 8 Discography
 * 9 References
 * 9.1 Citations
 * 10 External links

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke credited his grandmother as his main spiritual and musical influence.<sup class="reference" id="cite_ref-citypaper.net_28-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[28] <sup class="reference" id="cite_ref-29" style="line-height:1;unicode-bidi:-webkit-isolate;">[29]  He learned how to sing all forms of music from his grandmother's coaching him to listen to music on the radio.<sup class="reference" id="cite_ref-r11_16-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[16] <sup class="reference" id="cite_ref-r12_26-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[26] <sup class="reference" id="cite_ref-citypaper.net_28-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[28]  Burke began preaching at the age of 7 at the Solomon's Temple.<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  He was described in his young preaching years as a "frantic sermonizer" and "spellbinding in his delivery";<sup class="reference" id="cite_ref-30" style="line-height:1;unicode-bidi:-webkit-isolate;">[30]  and was soon nicknamed the "Boy Wonder Preacher" for his charismatic preaching in the pulpit.<sup class="reference" id="cite_ref-obits.dignitymemorial.com_31-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[31]  Burke became a pastor of the congregation at age 12, appeared on the radio station WDAS,<sup class="reference" id="cite_ref-nige_32-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[32] <sup class="reference" id="cite_ref-33" style="line-height:1;unicode-bidi:-webkit-isolate;">[33]  and later hosted a gospel show on WHAT-AM, mixing songs and sermons in broadcasts from Solomon's Temple.<sup class="reference" id="cite_ref-r56_34-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[34]  On weekends he traveled with a truck and tent, to Maryland, Virginia, and the Carolinas to carry on the spiritual crusade of his church.<sup class="reference" id="cite_ref-r8_13-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  Influenced bySuperman,<sup class="reference" id="cite_ref-35" style="line-height:1;unicode-bidi:-webkit-isolate;">[35]  "the first sign of a royal persona was evident in the cape that he wore only on Sundays, made from his "blankie"<sup class="reference" id="cite_ref-obits.dignitymemorial.com_31-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[31]  by his grandmother.<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;">[36]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Solomon Burke had six younger siblings – a sister, Laurena Burke-Corbin (born 23 June 1946),<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  and five brothers: Elec Edward "Alec" (born 16 February 1948),<sup class="reference" id="cite_ref-ReferenceB_37-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  Vladimir H. "Laddie" (born 31 July 1949),<sup class="reference" id="cite_ref-38" style="line-height:1;unicode-bidi:-webkit-isolate;">[38] Mario "Chuck" (born 13 September 1953),<sup class="reference" id="cite_ref-ReferenceB_37-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  Daniel S. "Danny" (born 10 March 1955),<sup class="reference" id="cite_ref-ReferenceB_37-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  and Jolester R. M. Burke (born 24 September 1958).<sup class="reference" id="cite_ref-a1_20-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[20] <sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[24] <sup class="reference" id="cite_ref-ReferenceB_37-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[37] <sup class="reference" id="cite_ref-39" style="line-height:1;unicode-bidi:-webkit-isolate;">[39]  From an early age Solomon Burke worked to supplement his family's income. He recalled: "I used to deliver grocery orders in a little wagon I made out of fish boxes. When I was seven, I sold newspapers out of my own newsstand on the corner of 40th and Lancaster. I had the first 99-cent car wash, which was located at 40th and Wallace outside Al's Barber Shop. We had it there because he was the only one who would let us use his water. We could wash your car in 20 minutes. I had four or five guys, gave 'em each a nickel for each car.<sup class="reference" id="cite_ref-birthday_1-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  Another briefly held early job was as a hot dog seller at Eddie's Meat Market, where his friend Ernest Evans, later known as Chubby Checker, also worked.<sup class="reference" id="cite_ref-birthday_1-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] Burke eventually graduated from John Bartram High School.<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[24] <sup class="reference" id="cite_ref-spencer2007_40-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[40] <sup class="reference" id="cite_ref-articles.philly.com_41-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[41]  He first became a father at 14.<sup class="reference" id="cite_ref-r21_42-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[42]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">During high school, Burke formed and fronted the quartet, the Gospel Cavaliers.<sup class="reference" id="cite_ref-r5_43-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[43]  He received his first guitar from his grandmother, later writing his first song, "Christmas Presents".<sup class="reference" id="cite_ref-birthday_1-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-r50_44-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[44]  The Cavaliers began performing in churches. It was around this time that Burke met Kae "Loudmouth" Williams, a famed Philadelphia deejay with help from Williams' wife, Viola, who saw Burke and the Cavaliers perform at church.<sup class="reference" id="cite_ref-45" style="line-height:1;unicode-bidi:-webkit-isolate;">[45] <sup class="reference" id="cite_ref-classicurbanharmony.net_46-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[46] Before entering a gospel talent contest in which a record deal was for first prize, the group split up.<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  Burke entered the contest, held as Cornerstone Baptist Church, as a solo artist and won the contest against eleven other competitors.<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  Soon, several labels including Apollo, Vee-Jay Records and Peacock Records pursued the 15-year-old.<sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;">[47]  Before pursuing the deal, Burke signed Kae Williams as his manager.<sup class="reference" id="cite_ref-Ruth_Rolen_1957_24-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[24] Williams then took him to Apollo Records introducing him to Bess Berman, who signed him to the label.<sup class="reference" id="cite_ref-r8_13-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  The move was made after Williams added four years to Burke's age, which led to confusion from the press about his age.<sup class="reference" id="cite_ref-r8_13-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[13] ==Career<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Early recordings<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke signed with Apollo Records in late 1955 following the departure of gospel singer and the label's primary star Mahalia Jackson to Columbia.<sup class="reference" id="cite_ref-48" style="line-height:1;unicode-bidi:-webkit-isolate;">[48] <sup class="reference" id="cite_ref-49" style="line-height:1;unicode-bidi:-webkit-isolate;">[49]  After he signed with Apollo, the label's founder Bess Berman and its handlers were reportedly trying to make Burke "the next Harry Belafonte".<sup class="reference" id="cite_ref-r8_13-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke recorded nine singles for the label during his two-year tenure,<sup class="reference" id="cite_ref-r5_43-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[43] <sup class="reference" id="cite_ref-r7_50-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[50]  releasing his first single, "Christmas Presents", on Christmas Eve of 1955.<sup class="reference" id="cite_ref-spencer2007_40-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[40] <sup class="reference" id="cite_ref-51" style="line-height:1;unicode-bidi:-webkit-isolate;">[51] <sup class="reference" id="cite_ref-52" style="line-height:1;unicode-bidi:-webkit-isolate;">[52]  He recorded with musicians including King Curtis andLester Young.<sup class="reference" id="cite_ref-53" style="line-height:1;unicode-bidi:-webkit-isolate;">[53]  His other Apollo recordings during this early period included "I'm in Love",<sup class="reference" id="cite_ref-54" style="line-height:1;unicode-bidi:-webkit-isolate;">[54]  "I'm All Alone"<sup class="reference" id="cite_ref-globaldogproductions.info_55-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[55]  and "No Man Walks Alone".<sup class="reference" id="cite_ref-globaldogproductions.info_55-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[55]  These early records did not sell well. <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke gained some notoriety for the Apollo single, "You Can Run (But You Can't Hide)", which he wrote with Charles Merenstein.<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;">[56] <sup class="reference" id="cite_ref-r52_57-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[57]  Due to the song's title borrowing from Joe Louis' quote, "he can run, but he can't hide", Louis was credited as co-writer.<sup class="reference" id="cite_ref-58" style="line-height:1;unicode-bidi:-webkit-isolate;">[58]  Louis helped promote the song by having Burke appear on theSteve Allen Show in early 1957.<sup class="reference" id="cite_ref-59" style="line-height:1;unicode-bidi:-webkit-isolate;">[59]  Burke was abruptly dropped from Apollo following a violent argument with manager Kae Williams over performance royalties;<sup class="reference" id="cite_ref-spencer2007_40-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[40] Burke claimed Williams had him "blackballed" from the industry following this move.<sup class="reference" id="cite_ref-Robert_Hilburn_2002_60-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[60]  After releasing a few singles for other labels, Burke briefly returned to Apollo under the pseudonym "Little Vincent", releasing one song in 1961,<sup class="reference" id="cite_ref-ReferenceC_61-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[61]  and the label issued a self-titled album in 1962.<sup class="reference" id="cite_ref-62" style="line-height:1;unicode-bidi:-webkit-isolate;">[62]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Following his initial Apollo departure, Burke struggled to record or get club dates,<sup class="reference" id="cite_ref-Robert_Hilburn_2002_60-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[60]  and an argument with his mother left him homeless.<sup class="reference" id="cite_ref-r1_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] <sup class="reference" id="cite_ref-r10_15-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[15] <sup class="reference" id="cite_ref-63" style="line-height:1;unicode-bidi:-webkit-isolate;">[63]  He later moved into a home owned by Lathella Thompson, after Thompson accidentally hit him with her car outside a club.<sup class="reference" id="cite_ref-r10_15-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[15] <sup class="reference" id="cite_ref-vibrationsmusic.com_64-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[64] <sup class="reference" id="cite_ref-Kurt_B._Reighley_2005_65-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[65]  During this time, Burke studied the Islamic faith<sup class="reference" id="cite_ref-r1_5-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] <sup class="reference" id="cite_ref-Jet_1958_66-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[66]  and married, but the marriage was annulled.<sup class="reference" id="cite_ref-r1_5-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] <sup class="reference" id="cite_ref-Robert_Hilburn_2002_60-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[60] <sup class="reference" id="cite_ref-Jet_1958_66-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[66]  Soon afterwards, he married Delores Clark, Thompson's niece, and soon had six children.<sup class="reference" id="cite_ref-spencer2007_40-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[40] <sup class="reference" id="cite_ref-vibrationsmusic.com_64-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[64]  As his family grew, Burke trained for a while to be a mortician at Eckels College of Mortuary Science, graduating with a doctorate of mortuary science, and finding work at a funeral home.<sup class="reference" id="cite_ref-vibrationsmusic.com_64-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[64] <sup class="reference" id="cite_ref-67" style="line-height:1;unicode-bidi:-webkit-isolate;">[67] <sup class="reference" id="cite_ref-68" style="line-height:1;unicode-bidi:-webkit-isolate;">[68]  Burke later had his own mortuary business in Los Angeles.<sup class="reference" id="cite_ref-69" style="line-height:1;unicode-bidi:-webkit-isolate;">[69]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke was briefly signed to Herb Abramson's Triumph Records.<sup class="reference" id="cite_ref-70" style="line-height:1;unicode-bidi:-webkit-isolate;">[70] <sup class="reference" id="cite_ref-71" style="line-height:1;unicode-bidi:-webkit-isolate;">[71]  However, Burke could not record for the label because his contract with Apollo had not yet been dissolved.<sup class="reference" id="cite_ref-72" style="line-height:1;unicode-bidi:-webkit-isolate;">[72]  In 1959, Philadelphia businessman Marvin Leonard "Babe" Chivian (1925-1972), a "body-and-fender man"<sup class="reference" id="cite_ref-articles.philly.com_41-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[41]  and real estate speculator,<sup class="reference" id="cite_ref-73" style="line-height:1;unicode-bidi:-webkit-isolate;">[73]  offered Burke a red Lincoln Continental convertible if he would agree to a management contract with him.<sup class="reference" id="cite_ref-74" style="line-height:1;unicode-bidi:-webkit-isolate;">[74] Chivian arranged for Burke to be signed to Singular Records,<sup class="reference" id="cite_ref-birthday_1-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-r10_15-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[15] <sup class="reference" id="cite_ref-dahl_75-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[75]  a Philadelphia-based label that was owned by WPEN disc jockey Edwin L. "Larry" Brown and vocal coach Arthur "Artie" Singer, who had a distribution deal with Chess Records.<sup class="reference" id="cite_ref-76" style="line-height:1;unicode-bidi:-webkit-isolate;">[76]  Burke released just two singles for Singular,<sup class="reference" id="cite_ref-r7_50-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[50]  "Doodle Dee Doo" and "This Little Ring"; neither song charted.<sup class="reference" id="cite_ref-ReferenceC_61-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[61] ===Work with Atlantic Records<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In November 1960, he signed with Atlantic Records. According to Burke, he signed with the label within ten minutes of entering Jerry Wexler's office,<sup class="reference" id="cite_ref-Kurt_B._Reighley_2005_65-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[65] <sup class="reference" id="cite_ref-77" style="line-height:1;unicode-bidi:-webkit-isolate;">[77]  reportedly signing a "handshake deal" with Wexler and Ahmet Ertegun.<sup class="reference" id="cite_ref-r38_78-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[78] <sup class="reference" id="cite_ref-Gerri_Hirshey_1994_79-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[79]  At the time of Burke's signing, two of Atlantic Records' major stars, Bobby Darin and Ray Charles, had left the label for better deals with Capitol and ABC respectively.<sup class="reference" id="cite_ref-r31_19-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[19] <sup class="reference" id="cite_ref-Kurt_B._Reighley_2005_65-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[65]  According to Alex Halberstadt, "Salvation arrived in the person of Solomon Burke, a soul singer of overwhelming charisma and remarkable stylistic range. ... Wexler and Burke created a string of hits that carried the label financially and represented the first fully realized examples of the classic soul sound."<sup class="reference" id="cite_ref-80" style="line-height:1;unicode-bidi:-webkit-isolate;">[80]  Burke reportedly helped keep Atlantic Records solvent from 1961 to 1965 with his steady run of hit records.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke recorded thirty-two singles with Atlantic, most of which hit both the pop and R&B charts. Burke's second single for the label was the country single, "Just Out of Reach (Of My Two Open Arms)", which became his first charted single, reaching #24 on the Billboard Hot 100 and peaking at #7 on the R&B charts. The song also became Burke's first million-seller.<sup class="reference" id="cite_ref-81" style="line-height:1;unicode-bidi:-webkit-isolate;">[81]  His next hit came with "Cry to Me", which reached #5 on the R&B chart in 1962 and was described as one of the first songs to mix country, R&B and gospel.<sup class="reference" id="cite_ref-82" style="line-height:1;unicode-bidi:-webkit-isolate;">[82]  After the release of "Cry to Me", Burke was among one of the first artists to be referred to as a "soul artist".<sup class="reference" id="cite_ref-83" style="line-height:1;unicode-bidi:-webkit-isolate;">[83] <sup class="reference" id="cite_ref-84" style="line-height:1;unicode-bidi:-webkit-isolate;">[84] <sup class="reference" id="cite_ref-a2004_85-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[85] Other hits included Wilson Pickett's "If You Need Me"; "You're Good for Me"; his co-written classic, "Everybody Needs Somebody to Love";<sup class="reference" id="cite_ref-r48_86-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[86]  his only number-one single, "Got to Get You Off My Mind";<sup class="reference" id="cite_ref-r38_78-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[78] <sup class="reference" id="cite_ref-r53_87-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[87]  and "Tonight's the Night". Following the release of "Got to Get You Off My Mind", Burke and his wife Delores divorced.<sup class="reference" id="cite_ref-r1_5-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] <sup class="reference" id="cite_ref-David_Cantwell_2006_88-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[88]  Burke became the first R&B artist to cover a Bob Dylan song with his cover of "Maggie's Farm", which became the b-side of "Tonight's the Night".<sup class="reference" id="cite_ref-r47_89-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[89] <sup class="reference" id="cite_ref-90" style="line-height:1;unicode-bidi:-webkit-isolate;">[90]  In 1965 Atlantic released his fifth album, The Best of Solomon Burke, which peaked at #22 on the US charts.<sup class="reference" id="cite_ref-r53_87-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[87] ====Branding<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Almost immediately after signing to Atlantic, Wexler and Burke clashed over his branding and the songs that he would record. According to Burke, "Their idea was, we have another young kid to sing gospel, and we’re going to put him in the blues bag."<sup class="reference" id="cite_ref-Kurt_B._Reighley_2005_65-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[65]  As Burke had struggled from an early age with "his attraction to secular music on the one hand and his allegiance to the church on the other,"<sup class="reference" id="cite_ref-Teresa_L._Reed_2004_91-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[91]  when he was signed to Atlantic Records he "refused to be classified as a rhythm-and-blues singer" due to a perceived "stigma of profanity" by the church,<sup class="reference" id="cite_ref-Teresa_L._Reed_2004_91-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[91]  and R&B's reputation as "the devil's music." Burke indicated in 2005: "I told them about my spiritual background, and what I felt was necessary, and that I was concerned about being labeled rhythm & blues. What kind of songs would they be giving me to sing? Because of my age, and my position in the church, I was concerned about saying things that were not proper, or that sent the wrong message. That angered Jerry Wexler a little bit. He said, ‘We’re the greatest blues label in the world! You should be honored to be on this label, and we’ll do everything we can – but you have to work with us.’"<sup class="reference" id="cite_ref-Kurt_B._Reighley_2005_65-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[65]  To mollify Burke, it was decided to market him as a singer of "soul music" after he had consulted his church brethren and won approval for the term.<sup class="reference" id="cite_ref-r12_26-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[26]  When a Philadelphia DJ said to Burke, "You're singing from your soul and you don't want to be an R&B singer, so what kind of singer are you going to be?", Burke shot back: "I want to be a soul singer."<sup class="reference" id="cite_ref-r2_92-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[92]  Burke's sound, which was especially popular in the South, was described there as "river deep country fried buttercream soul."<sup class="reference" id="cite_ref-r39_93-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[93]  Burke is credited with coining the term "soul music,"<sup class="reference" id="cite_ref-94" style="line-height:1;unicode-bidi:-webkit-isolate;">[94]  which he confirmed in a 1996 interview.<sup class="reference" id="cite_ref-95" style="line-height:1;unicode-bidi:-webkit-isolate;">[95]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Despite his initial reluctance, shared with several former gospel singers including Aretha Franklin and Wilson Pickett, Burke was "molded into a more secular direction when he signed with Atlantic in the '60s,"<sup class="reference" id="cite_ref-itunes.apple.com_96-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[96]  and became one of "the "backsliders," artists who "preferred a secular acclaim to the gospel obscurity".<sup class="reference" id="cite_ref-97" style="line-height:1;unicode-bidi:-webkit-isolate;">[97]  He decided eventually that "secular music was not the antithesis of the church but, rather, 'a new avenue, a new dimension to spread the gospel.'"<sup class="reference" id="cite_ref-Teresa_L._Reed_2004_91-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[91]  Despite this, "leaving gospel for secular music, as well as integrating secular music into gospel performances, was controversial."<sup class="reference" id="cite_ref-98" style="line-height:1;unicode-bidi:-webkit-isolate;">[98]  Noted blues scholar Paul Oliver maintains that when Sam Cooke and Burke "turned from gospel singing to the blues",<sup class="reference" id="cite_ref-Paul_Oliver_1989_99-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[99]  unlike others who had done so previously, "they took the gospel technique with them"; "even the words often secularized gospel songs", and this was coupled with a "screaming delivery, the exploitation of emotional involvement, [and] the frenetic displays of dancing singers."<sup class="reference" id="cite_ref-Paul_Oliver_1989_99-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[99]  For Burke, "gospel influences were pervasive. Gospelly chord progressions, organ accompaniment and a style of singing which can only be described as "preaching" have now spread widely into much black popular music."<sup class="reference" id="cite_ref-100" style="line-height:1;unicode-bidi:-webkit-isolate;">[100]  Music critic Mark Deming described Burke as having: "one of the finest voices in popular music, that possessed a churchly authority that was the ideal match for his material which balanced the pleasures of the flesh with the price of the transgression."<sup class="reference" id="cite_ref-101" style="line-height:1;unicode-bidi:-webkit-isolate;">[101]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">"Burke sounded like a Baptist preacher in a country church, and for [Jerry] Wexler he was the first and possibly the greatest of all '60s soul men."<sup class="reference" id="cite_ref-102" style="line-height:1;unicode-bidi:-webkit-isolate;">[102]  Wexler, who considered Burke to be "the greatest male soul singer of all time",<sup class="reference" id="cite_ref-FOOTNOTEWexler199349_8-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]  pronounced him a "vocalist of rare prowess and remarkable range. His voice is an instrument of exquisite sensitivity."<sup class="reference" id="cite_ref-FOOTNOTEWexler199349_8-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]  Wexler also described the young Burke's vocal style as "churchy without being coarse."<sup class="reference" id="cite_ref-r1_5-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  In 2000 Wexler indicated: "Solomon was beautiful, baby. He sounded just like Dean Martin."<sup class="reference" id="cite_ref-103" style="line-height:1;unicode-bidi:-webkit-isolate;">[103]  In 2003 Wexler assessed Burke: "I rate him at the very top. Since all singing is a trade-off between music and drama, he's the master at both. His theatricality. He's a great actor."<sup class="reference" id="cite_ref-r40_104-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[104]  Despite his admiration for Burke, Wexler also described Burke as "a piece of work: wily, highly intelligent, a salesman of epic proportions, sly, sure-footed, a never-say-die entrepreneur",<sup class="reference" id="cite_ref-r1_5-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  while also branding him "a card-carrying fabulist. Solomon has told so many versions of the same happening that it's unreal."<sup class="reference" id="cite_ref-r1_5-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] ====Impact<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  ==== <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">After a string of a dozen hit records,<sup class="reference" id="cite_ref-Peter_Guralnick_1984_105-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[105]  by November 1963 Burke had agreed to be crowned the "King of Rock 'n' Soul" in a ceremony at the Royal Theatre in Baltimore by local deejay Fred Robinson, known professionally as "Rockin' Robin", who also gave him a cape and crown that he always wore on stage.<sup class="reference" id="cite_ref-birthday_1-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-FOOTNOTEHirshey200687_106-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[106] <sup class="reference" id="cite_ref-FOOTNOTEJet196437_107-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[107] <sup class="reference" id="cite_ref-FOOTNOTENegro_Digest196413_108-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[108]  Burke accepted the appellation the "King of Rock 'N' Soul", indicating "without soul, there'd be no rock and without rock, there'd be no soul."<sup class="reference" id="cite_ref-FOOTNOTEJet196342_109-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[109]  The ceremony was repeated each night during the week Burke performed in Baltimore.<sup class="reference" id="cite_ref-110" style="line-height:1;unicode-bidi:-webkit-isolate;">[110]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">According to Gerri Hirshey: "Title agreed upon, Solomon added the trappings: a crown, a scepter, a cape, robe, dancing girls, and colored lights."<sup class="reference" id="cite_ref-FOOTNOTEHirshey200687_106-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[106]  Burke's crown was an exact replica of "the crown jewels of London" and the cape was trimmed with real ermine.<sup class="reference" id="cite_ref-FOOTNOTEHirshey200688_111-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[111]  Burke, whose shows were tours de force of riveting soul and unashamed hokum", "ticked every box from low comedy through country pleading to the kind of magisterial rock'n'roll that brought the house down",<sup class="reference" id="cite_ref-r45_112-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[112]  and he "became known as much for his showmanship as he did his voice. He would often take the stage in a flowing, 15-foot-long cape and bejeweled crown, his stage theatrics predating those of such legendary showman as James Brown. According to David Hepworth, Burke "once employed a midget who was secreted under his cape. When it was thrown off the cape would disappear stage left as of its own volition."<sup class="reference" id="cite_ref-r45_112-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[112] <sup class="reference" id="cite_ref-FOOTNOTEHirshey200688_111-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[111]  After the success of his "Papa's Got a Brand New Bag" in late 1965, James Brown, believing he deserved to be crowned "King of Soul", hired Burke to perform for one night in Chicago, but ended up paying not to perform but rather to watch him perform instead, expecting Burke also to surrender his crown and title to him.<sup class="reference" id="cite_ref-a1984_113-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[113]  According to Burke, "He paid me $7,500 to stand onstage and hand him my robe and crown. It was a great gig: I got paid and I didn't have to sing a note."<sup class="reference" id="cite_ref-r46_9-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[9] <sup class="reference" id="cite_ref-114" style="line-height:1;unicode-bidi:-webkit-isolate;">[114]  Burke accepted Brown's money, but retained his title and regal paraphernalia.<sup class="reference" id="cite_ref-a1984_113-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[113]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">As he increased in weight, "Burke’s sheer bulk meant that he could never be a dancer like James Brown, but like Brown, his act was full of showmanship."<sup class="reference" id="cite_ref-r47_89-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[89]  Consequently, over the years Burke "evolved a fervently demonstrative stage act",<sup class="reference" id="cite_ref-r8_13-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  that were often compared with religious revival meetings.<sup class="reference" id="cite_ref-a2004_85-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[85]  Burke and black performers like James Brown, Aretha Franklin and Wilson Pickett, "would adopt the 'house-wrecking' tactics of black preachers, and their shows functioned in much the same way as black religious events in that performer and audience became immersed in the music, arriving together at an ecstatic state that allowed them to feel a deep intensity of experience."<sup class="reference" id="cite_ref-115" style="line-height:1;unicode-bidi:-webkit-isolate;">[115]  According to Weldon McDougal, Burke "turned theatres like the Apollo and the Uptown into churches, he had folk running down the aisles to be saved by his music."<sup class="reference" id="cite_ref-r8_13-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  Cliff White described a show in the UK where "with head thrown back and one hand cupped to his mouth like an Alpine yodeller he cried out with such overwhelming passion that he left the spellbound audience wrung out and exhausted like so many limp rags."<sup class="reference" id="cite_ref-r8_13-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[13] ====Decline with Atlantic<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== Burke in 1967<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">After 1965, the "biggest year of his career", Burke settled as "at best a middle-of-the-pack chart performer".<sup class="reference" id="cite_ref-David_Cantwell_2006_88-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[88]  Due to failing chart numbers and the rise of several performers including Aretha Franklin, Wilson Pickett and Otis Redding, Burke was described by David Cantwell in this period as "a King without a kingdom".<sup class="reference" id="cite_ref-David_Cantwell_2006_88-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[88]  Burke's position in Atlantic dropped by 1968 as other Atlantic artists such as Aretha Franklin and Wilson Pickett replaced him as the label's primary artists.<sup class="reference" id="cite_ref-r38_78-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[78]  Burke tried to regain his early Atlantic success by recording at Memphis, working on the album, I Wish I Knew at Chips Moman's American Sound Studio.<sup class="reference" id="cite_ref-Red_Kelly_2527_116-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[116]  The album included the songs "Get Out My Life Woman" and a cover of "I Wish I Knew How It Would Feel to Be Free", his first recording that provided social commentary.<sup class="reference" id="cite_ref-FOOTNOTEReed2004127_117-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[117]  The song was later dedicated to [http://en.wikipedia.org/wiki/Martin_Luther_King,_Jr. Martin Luther King, Jr.],<sup class="reference" id="cite_ref-glide_118-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[118]  and Atlantic gave up 5% of royalties on the single to King's family.<sup class="reference" id="cite_ref-FOOTNOTEJet196858_119-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[119]  The single only reached #32 R&B and #68 pop. Burke later met his next manager and fiancéeTamiko Jones at the Memphis studio.<sup class="reference" id="cite_ref-FOOTNOTEJet196760-62_120-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[120]  Burke and Jones recorded several duets on Jones' album, I'll Be Anything for You. Following a failed collaboration with other soul artists as The Soul Clan, Burke decided to leave the label. His reasons for leaving Atlantic were for not "bring treated properly" and that Atlantic "just wasn't home anymore, wasn't family".<sup class="reference" id="cite_ref-bluesandsoul.com_11-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[11] <sup class="reference" id="cite_ref-David_Cantwell_2006_88-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[88] ===Later recordings<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">After leaving Atlantic, Burke signed with Bell Records where he released 5 singles in the next eighteen months.<sup class="reference" id="cite_ref-121" style="line-height:1;unicode-bidi:-webkit-isolate;">[121]  In 1969 he had a small hit with his second release for Bell, a reworking of Creedence Clearwater Revival's "Proud Mary" b/w "What Am I Living For" (Bell 783). This was co-produced by Tamiko Jones,<sup class="reference" id="cite_ref-discogs.com_122-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[122]  who was being rehabilitated after a bout of polio,<sup class="reference" id="cite_ref-123" style="line-height:1;unicode-bidi:-webkit-isolate;">[123]  and was at the time Burke's fiancée and manager.<sup class="reference" id="cite_ref-r5_43-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[43]  Burke recorded a cover of "Proud Mary" prior to Ike & Tina Turner's version, and according to Burke was the one who convinced the duo to record it.<sup class="reference" id="cite_ref-r2_92-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[92]  The song became a brief hit reaching #15 R&B and #45 pop.<sup class="reference" id="cite_ref-r38_78-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[78]  All but four of the tracks Burke recorded during an 18-month stay with Bell Records were packaged on the Proud Mary LP. After this album and the two following singles - his own "Generation of Revelations", and the Mac Davissong "In the Ghetto", which had previously been a hit for Elvis Presley - failed to chart, his contract was not renewed.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Through the efforts of his manager, Buddy Glee, by November 1970 Burke signed with Mike Curb's MGM label,<sup class="reference" id="cite_ref-r38_78-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[78]  and formed MBM Productions, his own production company.<sup class="reference" id="cite_ref-Billboard_1973_124-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[124]  Burke's record debut for MGM, "Lookin' Out My Back Door", another Creedence Clearwater Revival song, had disappointing sales.<sup class="reference" id="cite_ref-r8_13-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  His first MGM album,Electronic Magnetism, also failed to chart. In 1972 Burke had a #13 R&B hit for MGM with "Love Street and Fool's Road" (MGM 14353).<sup class="reference" id="cite_ref-r8_13-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  In 1972, he recorded the soundtrack to two films, Cool Breeze and Hammer. He left MGM for ABC-Dunhill Records in 1974, recording the album, I Have a Dream,<sup class="reference" id="cite_ref-125" style="line-height:1;unicode-bidi:-webkit-isolate;">[125]  which produced the #14 R&B hit, "Midnight and You".<sup class="reference" id="cite_ref-r8_13-12" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  By 1975 Burke was signed to Chess Records. He recorded two albums for Chess: Music to Make Love By and Back to My Roots, and had a top 20 R&B hit in 1975 with "You And Your Baby Blues".<sup class="reference" id="cite_ref-r8_13-13" style="line-height:1;unicode-bidi:-webkit-isolate;">[13] However, his follow-up single "Let Me Wrap My Arms Around You" only reached #72 on the R&B chart. In 1978 Burke released an album Please Don't Say Goodbye To Me, which was produced by Jerry "Swamp Dogg" Williams, though Amherst Records.<sup class="reference" id="cite_ref-r38_78-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[78]  On September 23, 1978, Burke charted for the 31st and last time when "Please Don't Say Goodbye to Me" reached #91 on the R&B chart.<sup class="reference" id="cite_ref-126" style="line-height:1;unicode-bidi:-webkit-isolate;">[126]  He released the albumSidewalks, Fences and Walls on Infinity Records in 1979 (reissued as Let Your Love Flow in 1993 by Shanachie Records).<sup class="reference" id="cite_ref-r38_78-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[78] <sup class="reference" id="cite_ref-dallasobserver.com_127-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[127]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Between 1979 and 1984, Burke recorded four gospel albums for Savoy Records, starting with the album, Lord I Need a Miracle Right Now.<sup class="reference" id="cite_ref-128" style="line-height:1;unicode-bidi:-webkit-isolate;">[128]  He was nominated for his first Grammy in the Best Male Gospel Soulcategory for his rendition of "Precious Lord, Take My Hand",<sup class="reference" id="cite_ref-r8_13-14" style="line-height:1;unicode-bidi:-webkit-isolate;">[13] <sup class="reference" id="cite_ref-129" style="line-height:1;unicode-bidi:-webkit-isolate;">[129]  but complained later that he did not receive royalties from his Savoy work.<sup class="reference" id="cite_ref-r6_130-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[130]  He then recorded for smaller labels such as Rounder, MCI/Isis,Bizarre/Straight, Black Top, Point Blank and GTR Records. Burke was inducted into the Rock and Roll Hall of Fame on March 19, 2001 in New York City by Mary J. Blige, after eight previous nominations since 1986.<sup class="reference" id="cite_ref-131" style="line-height:1;unicode-bidi:-webkit-isolate;">[131] ===Final recordings<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 2002, Burke signed with Fat Possum Records and released the album, Don't Give Up on Me. The album became critically acclaimed and later resulted in Burke's first Grammy Award win.<sup class="reference" id="cite_ref-132" style="line-height:1;unicode-bidi:-webkit-isolate;">[132] <sup class="reference" id="cite_ref-133" style="line-height:1;unicode-bidi:-webkit-isolate;">[133]  Burke later signed with [http://en.wikipedia.org/wiki/Shout!_Factory Shout! Factory] to release the album, Make Do With What You Got, which became another critically acclaimed success. In 2006, Burke returned to his country roots with the album, Nashville. In 2008, he received another Grammy nomination for the album, Like a Fire. That same year, Rolling Stone magazine ranked Burke as #89 on its list of the "100 Greatest Singers of All Time". In 2010, Burke came out with the Willie Mitchell-produced Nothing's Impossible for E1 Entertainment. Later in 2010, he released his final album, Hold on Tight, a collaboration album with De Dijk, a Dutch band. ==Entrepreneurship<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">From an early age Burke was "always an enterprising personality."<sup class="reference" id="cite_ref-r54_134-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[134]  In addition to his recording career, Burke ran funeral homes, owned two drugstores and a popcorn business in Philadelphia,<sup class="reference" id="cite_ref-birthday_1-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  and later had the first Mountain Dew franchise in Philadelphia.<sup class="reference" id="cite_ref-Peter_Guralnick_1984_105-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[105]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke's entrepreneurial activities included cooking and selling barbecued chicken sandwiches backstage,<sup class="reference" id="cite_ref-135" style="line-height:1;unicode-bidi:-webkit-isolate;">[135] <sup class="reference" id="cite_ref-136" style="line-height:1;unicode-bidi:-webkit-isolate;">[136]  and well as sandwiches, soft drinks, and fried chickens at increasingly inflated prices to other performers who were refused service at restaurants on the Chitlin' circuit in the "Jim Crow" South.<sup class="reference" id="cite_ref-birthday_1-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-r56_34-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[34] <sup class="reference" id="cite_ref-137" style="line-height:1;unicode-bidi:-webkit-isolate;">[137]  According to Sam Moore of the soul duo Sam & Dave, "He gave me one pork chop, one scoop of macaroni and cheese, and one spoonful of gravy. I said, ‘Is that it?’ And he’d say, "That’s it, brother. I’m doing you a favor, so take it or leave it."<sup class="reference" id="cite_ref-r54_134-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[134]  Trombonist Fred Wesley was one who was critical of Burke's business practices.<sup class="reference" id="cite_ref-138" style="line-height:1;unicode-bidi:-webkit-isolate;">[138]  Burke demanded and operated the concessions at the Apollo Theater when he performed there in 1966.<sup class="reference" id="cite_ref-139" style="line-height:1;unicode-bidi:-webkit-isolate;">[139]  This was very profitable for him but so enraged the owner Frank Schiffman that he was banned from performing at the Apollo for life.<sup class="reference" id="cite_ref-birthday_1-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-140" style="line-height:1;unicode-bidi:-webkit-isolate;">[140] <sup class="reference" id="cite_ref-141" style="line-height:1;unicode-bidi:-webkit-isolate;">[141]  After playing at the reopening of The Cavern Club in Liverpool in July 1966, Burke said: “The Cavern was a great place to play. The groove was there, the people were there, and it was wonderful. I remember them selling hot Pepsis. What a mistake – you gotta put ice in those things. Think of how many more they could have sold with ice in them."<sup class="reference" id="cite_ref-r47_89-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[89]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke owned funeral parlors in California, Pennsylvania, and North Carolina, and two of his children have turned the mortuary business into a franchise.<sup class="reference" id="cite_ref-r50_44-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[44] <sup class="reference" id="cite_ref-r51_142-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[142]  Additionally, Burke owned and operated a limousineservice.<sup class="reference" id="cite_ref-r2_92-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[92]  Burke continued to operate companies that supplied theaters and stadiums with his own brand of fast food—Soul Dogs and Soul Corn until at least 2004.<sup class="reference" id="cite_ref-143" style="line-height:1;unicode-bidi:-webkit-isolate;">[143] <sup class="reference" id="cite_ref-r60_144-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[144] ==Bishopry and community work<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">From the early 1970s, after having moved to Los Angeles, Burke concentrated on his episcopal duties, preaching from a crimson throne on the third Sunday of the month at the Prayer Assembly Church of God in Christ, his church at 226 North Market St., Inglewood, California.<sup class="reference" id="cite_ref-r12_26-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[26] <sup class="reference" id="cite_ref-blagg_145-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[145]  Within three decades his church grew to have about 170 missions and 40,000 members.<sup class="reference" id="cite_ref-146" style="line-height:1;unicode-bidi:-webkit-isolate;">[146]  By 2000, Burke's Solomon’s Temple: The House of God for All People had over 300 ordained ministers whose job is to “feed the hungry, educate the uneducated and be God’s workers in the vineyard”, and 40,000 parishioners in close to 200 churches across the USA, Canada, and Jamaica.<sup class="reference" id="cite_ref-r51_142-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[142]  At the time of his death, there were about 180 churches that were established under the charter of his denomination, with Burke indicating: "We’re non-sectarian, non-denominational. Ours is an open door."<sup class="reference" id="cite_ref-nige_32-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[32]  In 2008 Burke acknowledged his Christian methodology differed from that of his maternal uncle, Pastor Harry R. Moore (1933–1982), the founder and pastor of Our First Temple of Faith, at Front and Susquehanna Streets, Philadelphia: "Mine was more: God, money and women, hey hey hey; truth, love, peace and get it on."<sup class="reference" id="cite_ref-r1_5-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  While pursuing other interests, Burke was also deeply involved in community work, assisting The Crippled Children's Foundation for blind and underprivileged children, while personally being responsible for more than 120 adopted children.<sup class="reference" id="cite_ref-r8_13-15" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke was also a mentor to up-coming Soul and Blues musicians, including a young Reggie Sears.<sup class="reference" id="cite_ref-Reggie_Sears_on_Artist_Direct_147-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[147] ==Personal life<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke was married four times, In total Burke fathered at least 14 children (9 daughters and 5 sons), including at least two fathered outside any of his marriages, including Melvia Burke and Elijah Mohammed Burke, Vickey Burke.<sup class="reference" id="cite_ref-148" style="line-height:1;unicode-bidi:-webkit-isolate;">[148] <sup class="reference" id="cite_ref-149" style="line-height:1;unicode-bidi:-webkit-isolate;">[149]  He had 7 step children, 90 grandchildren and 19 great-grandchildren at the time of his death.<sup class="reference" id="cite_ref-r8_13-16" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke was married to Doris P. Williams for two months; the marriage was annulled by August 1958,<sup class="reference" id="cite_ref-150" style="line-height:1;unicode-bidi:-webkit-isolate;">[150]  though it resulted in the birth of one child, Valerie Doris Gresham (born September 16, 1957).<sup class="reference" id="cite_ref-151" style="line-height:1;unicode-bidi:-webkit-isolate;">[151]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke's second wife was Delores Clark Burke,<sup class="reference" id="cite_ref-152" style="line-height:1;unicode-bidi:-webkit-isolate;">[152] <sup class="reference" id="cite_ref-153" style="line-height:1;unicode-bidi:-webkit-isolate;">[153]  with whom he had 7 children, including Eleanor Alma (born December 27, 1958),<sup class="reference" id="cite_ref-ReferenceB_37-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[37] <sup class="reference" id="cite_ref-154" style="line-height:1;unicode-bidi:-webkit-isolate;">[154] <sup class="reference" id="cite_ref-155" style="line-height:1;unicode-bidi:-webkit-isolate;">[155]  Melanie Burke-McCall(born March 1960), Solomon Vincent, Jr. (born October 15, 1961), Carolyn J. Burke (born September 1962), Prince Solomon(JFK)Burke, Gemini C.Burke (born September 1, 1964),<sup class="reference" id="cite_ref-ReferenceB_37-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[37] <sup class="reference" id="cite_ref-156" style="line-height:1;unicode-bidi:-webkit-isolate;">[156]  and Lillian (born August 1966).

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke's third wife was Bernadine Burke.<sup class="reference" id="cite_ref-157" style="line-height:1;unicode-bidi:-webkit-isolate;">[157] <sup class="reference" id="cite_ref-158" style="line-height:1;unicode-bidi:-webkit-isolate;">[158]  In 2012 Court documents BP Case 126258 proved that Burke had never divorced Delores Burke when marrying Bernadine Turner in 1970. As well married Frances Sunday with no divorce from Bernadine McDonald Burke.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke's fourth wife was Frances Sunday Burke McDonald (born 1951), Marriage License dated December 1977;<sup class="reference" id="cite_ref-dallasobserver.com_127-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[127]  she was living with him when he died, and had three children with him.<sup class="reference" id="cite_ref-r1_5-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  Burke used different name's on each marriage License's.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In a 2006 interview Burke admitted having his first child at age 14: "being a father at age 14 maybe been a little early, but I don’t regret one moment, one second, one day, or one hour. My only regrets are the loss of my twins and my first son."<sup class="reference" id="cite_ref-r21_42-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[42]  Burke's twin sons were James and David, who both died in infancy. By 1961, Burke had "three kids on the outside, and about four at home",<sup class="reference" id="cite_ref-r10_15-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[15]  including Melanie Burke (born 1960),<sup class="reference" id="cite_ref-703area.com_159-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[159] Solomon Vincent Burke, Jr. (born October 15, 1961).<sup class="reference" id="cite_ref-ReferenceB_37-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  In an open letter to his children, Burke wrote: <p style="margin-top:0.5em;line-height:inherit;">"Your love and your strength, and the love of your mothers, have made me the strongest-minded father in the world. I may not be the best father. Maybe I haven't done everything that I should do, could do, or would do…or desire to do, but by the grace of God, and your prayers, we will make it. Every day is a new way. None of us are perfect and God knows, I have made many mistakes."<sup class="reference" id="cite_ref-r21_42-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[42] <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke admitted serial infidelity during his marriages: "I was young. Girls were coming from every angle. I couldn't love them all. But I tried."<sup class="reference" id="cite_ref-r1_5-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  Burke stated: <p style="margin-top:0.5em;line-height:inherit;">"I realized in later years that money didn’t solve problems. I realized too that maybe the reason I had problems with my marriages was because I didn't spend enough time with my children, my family. I thought that sending money home and buying pretty cars and redoing houses, and ordering food by the hundreds of dollars a day, would keep my family together, keep my children happy.... Not being there all the time, being on the road 250 days out of the year, was too much. I was gaining the world and losing my children. And my wife. My love life."<sup class="reference" id="cite_ref-r21_42-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[42] ===Family members<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Several of Burke's family have had successful careers in various facets of show business. In the mid-1960s two of Burke's younger brothers, Alex (born 1948 in Philadelphia)<sup class="reference" id="cite_ref-ReferenceB_37-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  and Laddie (born 1949 in Philadelphia),<sup class="reference" id="cite_ref-a1_20-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[20]  joined with fellow Germantown High School students, brothers Earl and Timmy Smith to form The Showstoppers,<sup class="reference" id="cite_ref-160" style="line-height:1;unicode-bidi:-webkit-isolate;">[160]  who had a couple of local hit singles in Philadelphia on Showtime Records in 1968,<sup class="reference" id="cite_ref-161" style="line-height:1;unicode-bidi:-webkit-isolate;">[161]  including a #11 hit on the UK Singles Chart with "Ain't Nothin' But a Houseparty" b/w "How Easy Your Heart Forgets Me" (Heritage HE-800),<sup class="reference" id="cite_ref-Frank_W._Hoffmann_2006_162-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[162]  which peaked at #87 on the Billboard chart in 1968,<sup class="reference" id="cite_ref-r39_93-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[93]  which was later a discothèque hit (#33) in 1971, just before the group disbanded after a series of flops.<sup class="reference" id="cite_ref-Frank_W._Hoffmann_2006_162-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[162]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke's daughter, Melanie Burke- McCall,<sup class="reference" id="cite_ref-163" style="line-height:1;unicode-bidi:-webkit-isolate;">[163]  a Neo Soul singer who is an accomplished artist as well as a freelance background recording artist with companies such as Daxwood Records,<sup class="reference" id="cite_ref-164" style="line-height:1;unicode-bidi:-webkit-isolate;">[164]  Casablanca, A&M andRawkus Records and a studio artist for groups such as Billy Preston, Peacock (Anna Gayle group), and Leslie Uggams, and toured with Chaka Khan, and wrote and produced Trouble Don't Last LP with Family, & Friends, a 14-song original soundtrack for Ms, which was released in 2005, Ms. Burke opened for Jocelyn Brown, Jaheim, Norman Connors, and Angela Bofill, as well as for her father at the Kimmel Center for the Performing Arts in Philadelphia in 2006.In 1972 Melanie was signed along with her siblings The Sons & Daughters of Solomon to MGM Records.<sup class="reference" id="cite_ref-703area.com_159-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[159]  Her son is Novel,<sup class="reference" id="cite_ref-165" style="line-height:1;unicode-bidi:-webkit-isolate;">[165]  who released his first studio album "The Audiobiography" in October 2008,<sup class="reference" id="cite_ref-166" style="line-height:1;unicode-bidi:-webkit-isolate;">[166]  and wrote movie soundtracks for Tyler Perry's Diary of a Mad Black Woman, Step Up, and 21. Her youngest son, Solomon, also has started recording.<sup class="reference" id="cite_ref-703area.com_159-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[159]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke's granddaughter Candy Burke (born 1977) was a backing singer at many of Burke's performances, including the July 2008 Juan-les-Pins concert, where she performed a rendition of "I Will Survive." She also appears in the 2003 North Sea Jazz Festival DVD with her father.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke's grandson Novel Stevenson has written hits such as "Bossy" for Kelis, as well as numerous songs for artists including India.Arie, Leona Lewis, Fantasia, Justin Timberlake, Dr. Dre, Ashanti, Joss Stone, Stacie Orrico, and Monica. In 2013 Novel was featured along with his grandfather, as writer and singer on The Grammy award winning CD "Gravity" by Lacrae.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Rapper Raeneal T. Quann (known as Q-Don) (born about 1978), who was accidentally shot and killed by robbers on April 26, 2000, outside the Club Evolution in Philadelphia, was also a grandson of Burke.<sup class="reference" id="cite_ref-167" style="line-height:1;unicode-bidi:-webkit-isolate;">[167] <sup class="reference" id="cite_ref-168" style="line-height:1;unicode-bidi:-webkit-isolate;">[168] <sup class="reference" id="cite_ref-169" style="line-height:1;unicode-bidi:-webkit-isolate;">[169] ==Declining health and death<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">For many years Burke struggled with his health, with his "weight estimated somewhere between 300 and 400 pounds" in 2006.<sup class="reference" id="cite_ref-r15_170-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[170]  New York Times writer Ben Sisario wrote of Burke: "Wide-shaped in his youth, he grew into Henry VIII-like corpulence, and in his later years had to be wheeled to his throne."<sup class="reference" id="cite_ref-171" style="line-height:1;unicode-bidi:-webkit-isolate;">[171]  In the later years of his life, "arthritis and weight ... limited his mobility",<sup class="reference" id="cite_ref-r15_170-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[170]  and confined him to a wheelchair.<sup class="reference" id="cite_ref-172" style="line-height:1;unicode-bidi:-webkit-isolate;">[172]  In an interview in 2008, Burke claimed that "God put me in this wheelchair", and that God's message to him was: "'You are too fat!'" Burke denied having an eating disorder: ... I guess God let me develop into what I am now and allowed me to live. It's not an eating disorder. If I had an eating disorder, I wouldn't travel."<sup class="reference" id="cite_ref-r1_5-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  In 2006 Burke acknowledged: "It's very rough. I love to eat and I love to cook – as you can see. But my hip has to be replaced and a knee has to be replaced and I've got to lose 150 pounds before they can do that. And that's a lot. But it's NOT! God knows I've enjoyed every kind of food there is, all around the world. It's not like I'm going to miss any of it. Because I've had it all!"<sup class="reference" id="cite_ref-r15_170-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[170]  Despite his efforts, at the time of his death, Burke's weight still exceeded 350 pounds.<sup class="reference" id="cite_ref-dahl_75-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[75]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">On Sunday October 10, 2010, Burke died at Amsterdam Schiphol Airport while on a plane from Washington Dulles Airport that had just landed. He had been due to perform with De Dijk in Amsterdam on October 12.<sup class="reference" id="cite_ref-173" style="line-height:1;unicode-bidi:-webkit-isolate;">[173]  The cause of death was not immediately clear; according to his family, Burke died of natural causes.<sup class="reference" id="cite_ref-174" style="line-height:1;unicode-bidi:-webkit-isolate;">[174]  At a 2012 probate court hearing of Burke's will, Burke's manger/live in lover, Jane Margolis Vickers, admitted to Burke having a blood clot before getting on the plane in DC to Amsterdam. Vickers drove Burke from his home in Los Angeles to Maine, and then from Maine to Washington DC where Burke took his final flight. Less than 24 hours after Vickers and Burke were told by doctors (Northern VA. Reston Hospital Emergence room) to discontinue his travel because of a potentially fatal blood clot, Burke was wheeled on to the last plane ride of his life.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">On Thursday 21 October a wake and meditation service was held at the Pierce Brothers Valley Oaks Griffin Mortuary at Westlake Village.<sup class="reference" id="cite_ref-Red_Kelly_2010_175-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[175]  Burke's funeral was at 10.00am on Friday 22 October 2010 at the City of Refuge in Gardena, California and was open to the public. It was simulcast on the internet and at a memorial service held at the Sharon Baptist Church in Philadelphia,<sup class="reference" id="cite_ref-Red_Kelly_2010_175-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[175]  that was led by Minister Lester Fields and Solomon's younger sister, Apostle Laurena Burke Corbin,<sup class="reference" id="cite_ref-souldetective.com_176-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[176]  the pastor of Our First Temple of Faith Mt. Deborah Pentecostal Church on Haverford Avenue in Philadelphia,<sup class="reference" id="cite_ref-177" style="line-height:1;unicode-bidi:-webkit-isolate;">[177]  and attended by Burke's extendedEast Coast family.<sup class="reference" id="cite_ref-souldetective.com_176-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[176]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Joe Henry described the funeral, which was "2 and a half hours long, included many eulogies, some spontaneous gospel singing; some shouting, some wailing, a fainting, and a daughter who hopped on the balls of her feet and spoke in tongues as punctuation to her scripted remarks. The highlight for me was Rudy [Copeland]’s bluesy Hammond B-3 instrumental of Thomas Dorsey's “Precious Lord (Lead Me On)." He played it like Ray [Charles] would have, kicking it heavy on the bass foot pedals, and shouting his own encouragement: 'Tell the story, son!' The whole service climaxed with a rousing version of "When The Saints Go Marching In", which included the choir, a 2nd-line-style brass band marching through the isles (sic), and everyone in the pews clapping and singing along."<sup class="reference" id="cite_ref-178" style="line-height:1;unicode-bidi:-webkit-isolate;">[178]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Burke is buried at Lot 4037, Space 1, in the Murmuring Trees section of the Forest Lawn Memorial Park in the Hollywood Hills, at 6300 Forest Lawn Drive, Los Angeles, California.<sup class="reference" id="cite_ref-179" style="line-height:1;unicode-bidi:-webkit-isolate;">[179] ==Legacy<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">According to Tim Newby: "Despite the endless parade of fans and praise, Burke always seemed to be two steps ahead or one step behind his contemporaries. While he was always at the forefront of the Soul movement, paving the way for a slew of singers who followed in his large wake, he never had that one timeless hit like so many others of the time that would forever endear him to our memories. So many of his peers of the time had that one huge mega-hit that would stamp them as eternal legends, and while Burke came close, he never found that one everlasting song. He became more known for his inspiration on other musicians than for his music. He is often criminally overlooked by the casual fan."

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Neil Portnow, President/CEO of The Recording Academy, praised Burke soon after his death: "GRAMMY-winning soul singer Solomon Burke was revered as one of music’s greatest vocalists and a pioneer of the genre. A deeply spiritual man, his love and passion for his craft kept him touring and performing to sold-out audiences right up to his final days. Few artists have had careers as long, rich and influential as his, and he leaves a larger-than-life legacy as powerful and soulful as he was. The music industry has lost one of its most distinctive voices."