So:Peter Gabriel

So is the fifth studio album (and seventh album overall) and first non-eponymous studio album by British rock musician Peter Gabriel, released in 1986. Many of its songs reflect a more conventional pop-writing style and became radio hits, while others still retain Gabriel's dark, brooding sense of experimentalism. As Gabriel explained in 2011: "I'd had my fill of instrumental experimenting for a while, and I wanted to write proper pop songs, albeit on my own terms."[1]

It is Peter Gabriel's second album produced by Canadian artist Daniel Lanois. The previous year, the two of them had worked together on Birdy. Lanois had been previously known for his ambient collaborations with Brian Eno as well as producing U2 since 1984. As he had with the soundtrack to the film Birdy, Lanois brought many of his own ambient sensibilities to this recording. Many of the tracks also continued to showcase Gabriel's interest in world music, with Gabriel commenting: "I think this album is nourished by so many varieties of black music, and not just soul and blues: there's stuff from Africa, Brazil, Cuba, Jamaica."[1]

So is the best-selling album of Gabriel's career and charted at number 1 in the UK Album Chart, and number 2 on the Billboard 200 in the US.[2] [3]  It is certifiedtriple platinum in the UK, and five times platinum in the US. So ranked at number No. 14 on Rolling Stone magazine's list of "Top 100 Albums of the Eighties"[4] and at No. 187 on the 500 greatest albums of all time. It is included in 1001 Albums You Must Hear Before You Die.



Contents
[hide]  *1 Songs  ==Songs[ edit] == The album begins with "Red Rain". Inspired by a recurring dream which Gabriel had of swimming in a sea of red water, its lyrics vividly depict dream imagery that reflect a sense of vulnerability. The song is one of the works in the story of Mozo, a wandering stranger who appears in several Gabriel songs. Of all the tracks on the album, Gabriel considers "Red Rain" one of his favourites.[5]  Other Mozo works include "On the Air" and "Exposure".
 * 2 Title
 * 3 Sleeve design
 * 4 Critical reception
 * 5 Notes and legacy
 * 6 Track listing
 * 6.1 Original track listing
 * 6.2 Remastered CD track listing
 * 7 25th Anniversary Edition
 * 7.1 3 CD Special Edition set
 * 7.2 Deluxe Box-Set Limited Edition
 * 8 Personnel
 * 8.1 Additional personnel
 * 9 Charts
 * 9.1 Chart positions
 * 9.2 Year-end charts
 * 9.3 Certifications
 * 10 References
 * 11 External links

The second track is Gabriel's most popular single, "Sledgehammer". "Sledgehammer" is a piece with Motown and world music influences, from its famous use of the shakuhachi. Gabriel described it as "my chance to sing like Otis Redding."<sup class="reference" id="cite_ref-Uncut_magazine_October_2011_1-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  The video for "Sledgehammer" won MTV's 1987 Top Music Video Award, and Best British Video at the 1987 Brit Awards.<sup class="reference" id="cite_ref-Time_6-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[6] <sup class="reference" id="cite_ref-Brits_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  Directed by Steven Johnson, it features stop motion animation by Aardman Animations of Wallace and Gromit fame.<sup class="reference" id="cite_ref-Time_6-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[6]  The dancing chickens were animated by Nick Park. The video ends with Gabriel dancing in silhouette, covered with lights taped on his suit by a runner who later became a producer for the Wallace and Gromit films. While performing the song during the 2002–2003 Growing Up and 2004 Still Growing Up tours, Gabriel recreated this image by wearing a jacket covered with LED lights.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">Tracks 3–6 include a duet with Kate Bush titled "Don't Give Up", "That Voice Again", and "In Your Eyes". "Don't Give Up" was about the devastation of economic hardship, with the support and wise counsel sung by Bush in the refrain. "Mercy Street" is dedicated to poet Anne Sexton and takes its title from her 1969 play, Mercy Street (Sexton also posthumously released a book of poetry, 45 Mercy Street). "In Your Eyes" was used in the famed boombox scene from the film Say Anything... (1989).

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">Track 7 is "Big Time". This song is a caricature of the economic success of the 1980s and was also accompanied by a video in the same vein of "Sledgehammer", although to less popularity. The next track is titled "We Do What We're Told (Milgram's 37)". The title refers to the 37 out of 40 compliant subjects of Milgram Experiment 18.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">The album ends with "This Is the Picture (Excellent Birds)". This song features vocals with co-writer Laurie Anderson. This track is not included on the original vinyl release of the album, but was added to theaudio cassette and CD editions. Anderson had previously recorded a different arrangement of the song titled "Excellent Birds" for her 1984 album, Mister Heartbreak, which also featured vocals by Gabriel. A video rendition of the song featuring Anderson and Gabriel was included in the 1 January 1984 TV satellite broadcast Good Morning, Mr. Orwell. Anderson also performs the song in her 1986 concert filmHome of the Brave. ==Title<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:inherit;">This was Gabriel's first studio album to bear an official title from its inception. His previous regular albums were simply titled "Peter Gabriel", including 1982's Security, which was retitled by Gabriel's US label at the time, Geffen Records. Peter Gabriel said in an interview with Smash Hits in 1986 the title "doesn't mean anything. We just liked the form of the word and the two letters. That's all." Gabriel also commented on the Classic Albums documentary made on the album that he favoured a short word title as it meant the graphic could be bigger and this was useful in marketing the album. ==Sleeve design<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:inherit;">The sleeve designer was Peter Saville, best known for his association with Manchester-based Factory Records, who was chosen to give the album a more commercially accessible image than Gabriel's previous albums. Gabriel has commented: "The only compromise I made was to go with Peter Saville's idea for a retro-style portrait. I was told my usual obscure LP sleeves alienated women."<sup class="reference" id="cite_ref-Uncut_magazine_October_2011_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  Saville was paid £20,000 by Virgin, which he has revealed was the highest paid record sleeve design of his career.<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]  It was said that Gabriel was angry at Geffen at the time of the album's release that the title "So," which was only to appear on a removable sticker on the outside cellophane wrapper, had also been printed on the paper labels attached to each side of the vinyl (where each sides' track listing normally appear). ==Critical reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:inherit;">So received mostly favourable reviews from music critics, although some have criticised the album for what they perceive as its overt commercialism and its 1980s production sounds.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">Writing in Mojo in 2012, David Buckley contrasted the album with Gabriel's earlier, more experimental work, claiming "On 1986's So, he switched tack to write pop, and write big. The results are mixed. Sledgehammer, echoing both Stevie Wonder's Superstition and David Bowie's Fame, retains its punch. Elsewhere, Gabriel sounds airbrushed on Mercy Street, Red Rain and In Your Eyes, with only We Do What We're Told a reminder of a daring past."<sup class="reference" id="cite_ref-Mojo_magazine_December_2012_17-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[17]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">Writing in Uncut in 2012, John Lewis claimed "Sometimes the state-of-the-art production is part of the appeal. The digi-funk bombast of Big Time is a defining totem of high-end '80s production, pitched somewhere between Scritti Politti's Wood Beez and Trevor Horn's Owner of a Lonely Heart. And the funk shuffle of Sledgehammer now sounds almost timeless, thanks to it being a much-sampled hip-hop fixture. Elsewhere, the production interferes, like the bell-like Fairlightsounds that mar That Voice Again, or the whistling ambient accompaniment on Mercy Street."<sup class="reference" id="cite_ref-Uncut_magazine_November_2012_18-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[18]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">Alexis Petridis, chief rock and pop critic of The Guardian, has claimed Gabriel "suffered a musical mid-life crisis", describing So as "an album packed with ultra-commercial priapic cod-funk" and "a ruthless bid for mainstream success."<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;">[19]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">On the more positive side, Mark Blake of Q wrote "Gabriel kept his oddness in check on So, but he did it without compromising himself. The exuberant, un-danceable dance hit Sledgehammer, like the rest ofSo, is carbon-dated to 1986, thanks to those blaring saxes and Fairlight CMI digital sampling synths. But the songs – Red Rain, the Kate Bush duet Don't Give Up, the Laurie Anderson collaboration This Is The Picture (Excellent Birds) – remain timeless. With So, Gabriel crafted an album of user-friendly pop that was still reassuringly odd."<sup class="reference" id="cite_ref-Q_magazine_December_2012_13-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">Terry Staunton of Classic Rock wrote "Red Rain was familiarly pensive and politically charged, but the radio waves completely surrendered to the record's muscular dance rock (Sledgehammer, Big Time) and slower tempo eloquence (Don't Give Up, In Your Eyes). A year in the making, it captured Gabriel not so much at a crossroads in his career, as a roundabout with several potential routes to follow, embracing African rhythms, commercially-minded techno, statesmanlike prog-lite and effortlessly cool pop soul. If that makes the album sound scattergun and disjointed, Gabriel approaches each of his bow's many strings with a masterful confidence, delivering a satisfyingly unified whole."<sup class="reference" id="cite_ref-Classic_Rock_magazine_December_2012_20-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[20]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">In 1001 Albums You Must Hear Before You Die, Bruno MacDonald was especially effusive in praise of the album, claiming "...though the Sledgehammer video's ubiquity has bludgeoned the song, its parent album is a marvel...awash in delicate percussion, tasteful keyboards, and bubbling bass, Red Rain and Mercy Street are stunning. Of the epics, the Kate Bush duet Don't Give Up is heartwrenching, while In Your Eyes achieved iconic status after its appearance in the John Cusack movie Say Anything...Excellent albums followed, but the breathtaking So is the best introduction to a dazzling discography." ==Notes and legacy<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:inherit;">When the album was remastered in 2003 with most of Gabriel's catalogue, the song "In Your Eyes" was moved from the fifth song to the ninth song. This was what Peter Gabriel originally intended, but because of the limitations of the vinyl release format it was moved up to be the first track on side two.<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;">[21]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">The songs "Red Rain", "Sledgehammer", "Don't Give Up", "Mercy Street", and "We Do What We're Told" were featured in episodes of the TV series Miami Vice (with seven songs used, Gabriel had the most songs featured by a solo artist in the Miami Vice series, and he is the only artist to have had a song used in an episode of each of Vice's five seasons).

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">The song "Mercy Street" was featured in the opening sequence of 1991 Brazilian soap opera O Sorriso do Lagarto.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">In 1998, Q magazine readers voted So the 81st greatest album of all time. In 2001, the TV network VH1 placed it at number 91. Rolling Stone magazine places the album at 187 on its list of 500 greatest albums of all time<sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;">[22]  and No. 14 in the Rolling Stone 100 Best Albums of The 80's survey.<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;">[23]  It was also included in the College Music Journal list of "Top 25 College Radio Albums of All Time"<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  and ranked No. 1 in CMJ's "Top 20 Most-Played Albums of 1986".<sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;">[25]  The album came fifth in ''[http://en.wikipedia.org/wiki/Kerrang! Kerrang!]'' magazine's Albums of the Year 1986. Slant Magazine listed the album at No. 41 on its list of "Best Albums of the 1980s".<sup class="reference" id="cite_ref-26" style="line-height:1;unicode-bidi:-webkit-isolate;">[26]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">The success of the album earned Peter Gabriel two awards at the Brit Awards in 1987: Best British Male Solo Artist and Best British Video for "Sledgehammer".<sup class="reference" id="cite_ref-Brits_7-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  The album also received four Grammy Award nominations: Best Male Rock Vocal Performance, Song of the Year, Record of the Year (all for "Sledgehammer"), and Album of the Year.<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;">[27]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">In 2006, World Wrestling Entertainment used "Big Time" as the main theme song for Wrestlemania 22.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">The album's production has been profiled in the Classic Albums series.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:inherit;">During a "Talks at Google" interview, Gabriel explained the reason behind the change in the track listing after the original release. He stated that it was his original intention to have "In Your Eyes" at the end of the record, but because of its prominent bass line, the decision was made to put it at the beginning, where there is more room for the needle to vibrate. With the later CD release, this restriction was removed and the track was placed at the end of the album.<sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;">[28] ==Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:inherit;">All songs written by Peter Gabriel, except where indicated. ===Original track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:inherit;"><sup style="line-height:1;">† Not included on original vinyl release. ===Remastered CD track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==25th Anniversary Edition<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:inherit;">The 25th Anniversary Edition of So was released on 23 October 2012 in two versions. The Deluxe Edition contains the original album remastered and the double album "Live in Athens 1987" recorded at theAthens Lykabettus Theatre show during So Tour in 1987. The 25th Anniversary Immersion box-set contains the Deluxe Edition CDs along with the "So DNA" CD, with the original album tracks in their evolutionary states; and 2 DVDs, the remastered version of the concert film "POV" and the documentary "So: Classic Albums". Also included is the original album on LP and the 12-inch AA Vinyl single; this version contain the unreleased tracks "Courage" and "Sagrada", and an alternate version of "Don't Give Up". Finally, there is also a studio quality 24 bit digital download and a 60-page case bound book. Both the CD and vinyl album feature the track listing from the previous remastered release (e.g. "In Your Eyes" occurs at the end of "side two" rather than the beginning). The tracks on the AA vinyl single are also included in the free 24-bit download. ===3 CD Special Edition set<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Deluxe Box-Set Limited Edition<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:inherit;">The track numbers only correspond to the original release, not the remastered version.
 * Side one
 * 1) "Red Rain" – 5:39
 * 2) "Sledgehammer" – 5:12
 * 3) "Don't Give Up" (featuring Kate Bush) – 6:33
 * 4) "That Voice Again" (lyrics: Gabriel, Rhodes; music: Gabriel) – 4:53
 * Side two
 * 1) "In Your Eyes" – 5:27
 * 2) "Mercy Street" – 6:22
 * 3) "Big Time" – 4:28
 * 4) "We Do What We're Told (Milgram's 37)" – 3:22
 * 5) "This Is the Picture (Excellent Birds)" (featuring Laurie Anderson) (Anderson, Gabriel) – 4:25<sup style="line-height:1;">†
 * 1) "Red Rain" – 5:39
 * 2) "Sledgehammer" – 5:12
 * 3) "Don't Give Up" (featuring Kate Bush) – 6:33
 * 4) "That Voice Again" (lyrics: Gabriel, Rhodes; music: Gabriel) – 4:53
 * 5) "Mercy Street" – 6:22
 * 6) "Big Time" – 4:28
 * 7) "We Do What We're Told (Milgram's 37)" – 3:22
 * 8) "This Is the Picture (Excellent Birds)" (featuring Laurie Anderson) (Anderson, Gabriel) – 4:25
 * 9) "In Your Eyes" – 5:27
 * Disc 1: (original album remastered)
 * 1) "Red Rain"
 * 2) "Sledgehammer"
 * 3) "Don't Give Up" (featuring Kate Bush)
 * 4) "That Voice Again" (lyrics: Gabriel, David Rhodes; music: Gabriel)
 * 5) "Mercy Street"
 * 6) "Big Time"
 * 7) "We Do What We're Told (Milgram's 37)"
 * 8) "This Is the Picture (Excellent Birds)" (featuring Laurie Anderson) (Anderson, Gabriel)
 * 9) "In Your Eyes"
 * Disc 2: (Live in Athens 1987)
 * 1) "This Is The Picture (Excellent Birds)"
 * 2) "San Jacinto"
 * 3) "Shock The Monkey"
 * 4) "Family Snapshot"
 * 5) "Intruder"
 * 6) "Games Without Frontiers"
 * 7) "No Self Control"
 * 8) "Mercy Street"
 * 9) "The Family And The Fishing Net"
 * Disc 3: (Live in Athens 1987)
 * 1) "Don't Give Up"
 * 2) "Solsbury Hill"
 * 3) "Lay Your Hands On Me"
 * 4) "Sledgehammer"
 * 5) "Here Comes The Flood"
 * 6) "In Your Eyes"
 * 7) "Biko"
 * Disc 4: (Back To Front (part I) 2012-2016)
 * 1) "Introduction"
 * 2) "O But"
 * 3) "Come Talk To Me"
 * 4) "Shock The Monkey"
 * 5) "Family Snapshot"
 * 6) "Digging In The Dirt"
 * 7) "Secret World"
 * 8) "The Family And The Fishing Net"
 * 9) "No Self Control"
 * 10) "Solsbury Hill"
 * 11) "Why Don't You Show Yourself"
 * Disc 5: (Back To Front (part II) 2012-2016)
 * 1) "Red Rain"
 * 2) "Sledgehammer"
 * 3) "Don't Give Up"
 * 4) "That Voice Again"
 * 5) "Mercy Street"
 * 6) "Big Time"
 * 7) "We Do What We're Told (Milgram's 37)"
 * 8) "This Is The Picture (Excellent Birds)"
 * 9) "In Your Eyes"
 * 10) "The Tower That Ate People"
 * 11) "Biko"
 * Disc 1: (Original Album Remastered)
 * 1) "Red Rain"
 * 2) "Sledgehammer"
 * 3) "Don't Give Up" (featuring Kate Bush)
 * 4) "That Voice Again" (lyrics: Gabriel, David Rhodes; music: Gabriel)
 * 5) "Mercy Street"
 * 6) "Big Time"
 * 7) "We Do What We're Told (Milgram's 37)"
 * 8) "This Is the Picture (Excellent Birds)" (featuring Laurie Anderson) (Anderson, Gabriel)
 * 9) "In Your Eyes"
 * Disc 2: (So DNA) (The same tracks are in original demos)
 * Disc 3: (Live in Athens 1987 - Part I)
 * 1) "This Is The Picture (Excellent Birds)"
 * 2) "San Jacinto"
 * 3) "Shock The Monkey"
 * 4) "Family Snapshot"
 * 5) "Intruder"
 * 6) "Games Without Frontiers"
 * 7) "No Self Control"
 * 8) "Mercy Street"
 * 9) "The Family And The Fishing Net"
 * Disc 4: (Live in Athens 1987 - Part II)
 * 1) "Don't Give Up"
 * 2) "Solsbury Hill"
 * 3) "Lay Your Hands On Me"
 * 4) "Sledgehammer"
 * 5) "Here Comes The Flood"
 * 6) "In Your Eyes"
 * 7) "Biko"
 * Disc 5: (Back To Front (part I) 2012-2016)
 * 1) "Introduction"
 * 2) "O But"
 * 3) "Come Talk To Me"
 * 4) "Shock The Monkey"
 * 5) "Family Snapshot"
 * 6) "Digging In The Dirt"
 * 7) "Secret World"
 * 8) "The Family And The Fishing Net"
 * 9) "No Self Control"
 * 10) "Solsbury Hill"
 * 11) "Why Don't You Show Yourself"
 * Disc 6: (Back To Front (part II) 2012-2016)
 * 1) "Red Rain"
 * 2) "Sledgehammer"
 * 3) "Don't Give Up"
 * 4) "That Voice Again"
 * 5) "Mercy Street"
 * 6) "Big Time"
 * 7) "We Do What We're Told (Milgram's 37)"
 * 8) "This Is The Picture (Excellent Birds)"
 * 9) "In Your Eyes"
 * 10) "The Tower That Ate "
 * 11) "Biko"
 * DVD 1: POV, Live in Athens 1987
 * 1) "This Is The Picture (Excellent Birds)"
 * 2) "San Jacinto"
 * 3) "Shock The Monkey"
 * 4) "Family Snapshot"
 * 5) "Intruder"
 * 6) "Games Without Frontiers"
 * 7) "No Self Control"
 * 8) "Mercy Street"
 * 9) "The Family And The Fishing Net"
 * 10) "Don't Give Up"
 * 11) "Solsbury Hill"
 * 12) "Lay Your Hands On Me"
 * 13) "Sledgehammer"
 * 14) "Here Comes The Flood"
 * 15) "In Your Eyes"
 * 16) "Biko"
 * DVD 2: Back To Front 2012-2016
 * 1) "Introduction"
 * 2) "O But"
 * 3) "Come Talk To Me"
 * 4) "Shock The Monkey"
 * 5) "Family Snapshot"
 * 6) "Digging In The Dirt"
 * 7) "Secret World"
 * 8) "The Family And The Fishing Net"
 * 9) "No Self Control"
 * 10) "Solsbury Hill"
 * 11) "Why Don't You Show Yourself"
 * 12) "Red Rain"
 * 13) "Sledgehammer"
 * 14) "Don't Give Up"
 * 15) "That Voice Again"
 * 16) "Mercy Street"
 * 17) "Big Time"
 * 18) "We Do What We're Told (Milgram's 37)"
 * 19) "This Is The Picture (Excellent Birds)"
 * 20) "In Your Eyes"
 * 21) "The Tower That Ate People"
 * 22) "Biko"
 * DVD 3: "So: Classic Albums" (Documentary from the TV-series Classic Albums)
 * Vinyl (Original album LP format)
 * 12" AA Vinyl
 * 1) "Courage" (unreleased)
 * 2) "Sagrada" (unreleased)
 * 3) "Don't Give Up" (alternate piano version)

===Additional personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Charts<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Certifications<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ===
 * Peter Gabriel – lead and backing vocals, Fairlight CMI, Sequential Circuits Prophet-5 (all except 5 and 9), piano (all except 7 and 9), Linn LM-1 (3 and 7), synthesizer (5 and 7), percussion (4), Yamaha CS-80 (6),LinnDrum (9), Synclavier (9)
 * Tony Levin – bass guitar (1-5), drumstick bass guitar (fretting only) (7)<sup class="reference" id="cite_ref-quietus-so_29-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[29]
 * David Rhodes – guitar (all except 6 and 9), backing vocals (1 and 5)
 * Jerry Marotta – drums (1 and 8), additional drums (5), drumstick bass guitar (drumming only) (7)<sup class="reference" id="cite_ref-quietus-so_29-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[29]
 * Manu Katché – drums (2-5), percussion (3-5), talking drum (5 and 9)
 * Chris Hughes – Linn programming (1)
 * Stewart Copeland – hi-hat (1), drums (7)
 * Daniel Lanois – guitar (1, 2 and 4), tambourine (2), surf guitar (7), 12-string guitar (9)
 * Wayne Jackson – trumpet (2 and 7), cornet (7)
 * Mark Rivera – tenor saxophone (2 and 7), processed saxophone (6), alto and baritone saxophone (7)
 * Don Mikkelsen – trombone (2 and 7)
 * P. P. Arnold – backing vocals (2 and 7)
 * Coral Gordon – backing vocals (2 and 7)
 * Dee Lewis – backing vocals (2 and 7)
 * Richard Tee – piano (3, 5 and 6)
 * Simon Clark – chorus Yamaha CS-80 (3), Hammond, Fairlight CMI and bass (7)
 * Kate Bush – vocals (3)
 * L. Shankar – violin (4 and 8)
 * Larry Klein – bass guitar (5 and 6)
 * Youssou N'Dour – vocals (5)
 * Michael Been – backing vocals (5)
 * Jim Kerr – backing vocals (5)
 * Ronnie Bright – bass vocals (5)
 * Djalma Correa – surdu, congas and triangle (6)
 * Jimmy Bralower – Linn kick (7)
 * Bill Laswell – bass guitar (9)
 * Nile Rodgers – guitar (9)
 * Laurie Anderson – vocals (9)