I've Gotta Get a Message to You

"I've Gotta Get a Message to You" is a rock ballad by the Bee Gees. Released as a single on 7 September 1968, it became their second number-one single on the UK Singles Chart.[1]  The song also went to number one in Ireland, and reached number eight in the US, became their first top-ten hit in Billboard Hot 100 chart in their music career. In the United Kingdom the song was released as a single only. The song appeared on the US edition of the Bee Gees' third album Idea, but not in the United Kingdom, where the Vince Melouney track "Such a Shame" appeared instead. Both songs are featured on the CD edition released circa 1991. This song was sent to Atlantic Records with "I Laugh in Your Face", therefore it would be reasonable to assume that the latter was the intended B-side. However, it was dropped in favour of "Kitty Can". The song was written with Percy Sledge in mind to record it.[2]  (Sledge did record it in February 1970, but Atlantic did not issue it in the United States at the time.)



Contents
[hide]  *1 Writing and recording  ==Writing and recording[ edit] == The song is about a man who, awaiting his execution in the electric chair,[3]  begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the latter premise (although there is a verse "Well I did it to him, now it's my turn to die"). Robin said: "This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark."[4]
 * 2 Versions
 * 3 Personnel
 * 4 Chart performance
 * 5 Cover versions
 * 6 The Soldiers version
 * 6.1 Track listing
 * 6.2 Chart performance
 * 7 References
 * 8 External links

Barry recalls: "In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it". Robin adds: "It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on".[5] "I've Gotta Get a Message to You" was recorded with "I Laugh in Your Face" (released on Odessa in 1969) on 12 July 1968. This track was not recorded during the Idea sessions, the last recording session was 25 June 1968 when they recorded "I Started a Joke".[6]  As Barry explains: Now that was a memorable night, The song we wrote together, all three of us. I think that night, I know for a fact, we didn't sing the choruses in harmony. Robert called us back to the studio at 11 o'clock at night and said, 'I want the choruses in harmony, I don't want them in just melody. I want three-part harmony choruses.' So we went in and attempted that 'round about midnight. Everyone drove back to the studio, and that's what we did". The song features bass lines by Maurice Gibb as Barry explained: "He had a lot of intensity in his bass, Mo was a real [Paul McCartney] bass freak, as a lot of us were. He would pick up on all the things that McCartney would [do]. Maurice was very good on different instruments, you know. Good lead guitarist, good bass player, good keyboard player. He was versatile. He loved playing bass more than anything else, I think, at that time."<sup class="reference" id="cite_ref-time_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] ==Versions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">"I’ve Gotta Get a Message to You" has appeared in five versions all made from the same recording, but heard at three different speeds, faded out at three different points, and with different elements mixed forward. As to the speed, Bill Inglot said in 1999 that the mix he made for the Tales from the Brothers Gibb box in 1990 is at the correct real tape speed. This speed is intermediate between the mono and stereo mixes released in 1968. The correct speed can be achieved by playing the mono single mix at 98.8% and the LP stereo mix at 103.0%, which brings them to the correct timing.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The first mix to appear was the mono mix for the single, followed closely by a stereo mix that appeared on North American copies of the Idea album. The two sound very different. For most of the song the album mix has percussion effects and string overdubs not heard (or barely heard) in the single mix. In the ending, most of the second pass through the chorus (2:28-2:37 at the correct speed) has lead vocal in the album mix but wordless backing vocal in the single mix, until at ‘hold on’ they resume the same vocal tracks. The slower album mix is shorter because it fades out much sooner, 4 seconds sooner at the speed given, or 11 seconds sooner at corrected speed. At 2:45 (correct speed) fans hear a spoken ‘save your voice’ in the stereo album mix, and also less distinctly in the Tales from the Brothers Gibb mix.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">During preparation of The Studio Albums 1967-1968 box set, another mix from 1968 was discovered, a mono mix that sounds like the 1968 stereo mix. Since the North American Idea LP was released only in stereo, this companion mono mix was never released. It plays faster than the stereo mix, but that is true of all the mono mixes for Idea. ==Personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Chart performance<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Cover versions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==The Soldiers version<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">In 2011, The Soldiers recorded the song with Robin Gibb for the Royal British Legion's annual charity single. It was released on 23 October 2011 in the United Kingdom on iTunes. This song charted at number 75 on the UK Singles Chart. A music video to accompany the release of "I've Gotta Get A Message To You" was first released onto YouTube on 13 October 2011.<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[7] ===Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Chart performance<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ===
 * Robin Gibb – lead vocals (first and third verse) and backing vocals
 * Barry Gibb – lead vocals (second verse) and backing vocals, rhythm guitar
 * Maurice Gibb – bass, piano, backing vocals
 * Vince Melouney – lead guitar
 * Colin Petersen – drums
 * Gavin Castleton
 * Percy Sledge
 * Dusty Springfield
 * Jose Feliciano
 * Cleopatra
 * Swamp Dogg
 * Tim Rose
 * Moxy Früvous
 * CD/Digital download
 * 1) "I've Gotta Get a Message to You" - 3:19
 * 2) "I've Gotta Get a Message to You" (Full Instrumental Version) - 3:17