Against All Odds

"Against All Odds (Take a Look at Me Now)" (also simply titled "Against All Odds") is a song by English singer Phil Collins recorded for the soundtrack tothe 1984 film of the same name. It is a power ballad in which its protagonist implores an ex-lover to "take a look at me now", knowing that reconciliation is "against all odds" while considering it worth trying. The single, while it reached number two in the United Kingdom, peaked at number one on the Billboard Hot 100 in the United States, the first for Collins.

The song has been covered by several singers, some versions of which have been successful in both the US and UK markets. One of the most notable versions was the pairing of Mariah Carey and boyband Westlife, whose single peaked at number one in the United Kingdom in September 2000.[3]



Contents
[hide]  *1 Phil Collins original version  ==Phil Collins original version[ edit] == ===Background and writing[ edit] === Collins was approached to write the title song to the film Against All Odds while it was still in its "rough cut form".[4]  At the time the soundtrack was being completed, Collins was on tour as the lead vocalist/drummer with British group Genesis. Director Taylor Hackford flew in to Chicago to catch one of the band's concerts. Collins watched the movie on a videocassette recorder in his hotel room and agreed to appear on the soundtrack.[5]
 * 1.1 Background and writing
 * 1.2 Use and association with the film
 * 1.3 Reception
 * 1.4 Commercial performance
 * 1.5 Music video
 * 1.6 Charts
 * 1.7 Credits
 * 2 Mariah Carey version
 * 2.1 Critical reception
 * 2.2 Track listings
 * 2.3 Charts
 * 3 Mariah Carey and Westlife version
 * 3.1 Tours performed at
 * 3.2 Track listing
 * 3.3 Charts
 * 3.3.1 Year-end charts
 * 4 Steve Brookstein version
 * 4.1 Background
 * 4.2 Track listing
 * 4.3 Charts
 * 5 Other covers
 * 6 Pop culture
 * 6.1 Radio
 * 7 See also
 * 8 References
 * 8.1 Inline citations
 * 8.2 Bibliography

Originally titled "How Can You Just Sit There?", the song was initially from the sessions for Collins' debut solo album Face Value (1981), and it was one of about a dozen written for his first wife, who had left him.[6]  Collins wrote the entire song, while arranger Arif Mardin produced it.<sup class="reference" id="cite_ref-HoganAllInfo_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  The strings and piano tracks were recorded in New York to accommodate the tour, while Mardin did the vocals and drums in Los Angeles.<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The song was first included on a Collins album on the 1998 compilation Hits, and it also appeared on his compilation Love Songs: A Compilation... Old and New (2004). A live performance of the song also appears on the ''[http://en.wikipedia.org/wiki/Serious_Hits%E2%80%A6_Live! Serious Hits… Live!]'' album. ===Use and association with the film<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">"Against All Odds" was created explicitly for the movie.<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  Hackford, who previously used a song for the 1982 American drama film An Officer and a Gentleman, planned the same for the neo-noir 1984 filmAgainst All Odds,<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  which is a remake of Out of the Past. When he signed with Atlantic Records, he was provided with a roster of artists, among whom Collins was chosen to render the film's theme song based on the quality of his voice.<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  Hackford said that it was a "textbook case of designing a song to reflect what the film is".<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  The song appears in the movie as background music during the closing credits.<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991408_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Writing for the soundtrack's review, Allmusic editor Heather Phares claimed that the movie is best remembered for the inclusion of Collins' "classic theme song".<sup class="reference" id="cite_ref-PharesAllRev_9-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[9]  Phares added that the song "remains not only one of Collins' definitive singles, but one of the 1980s' best love songs".<sup class="reference" id="cite_ref-PharesAllRev_9-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[9]  Director Hackford also had the same view, stating that it "decidedly" helped the film: people identified the song with the film and came to watch it.<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  When the single went top five, it contributed to the increased box office sales of the movie.<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[7] ===Reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">"Against All Odds" won the Grammy Award for Best Pop Vocal Performance, Male in 1985, was nominated for Song of the Year and for an Academy Award as well as for a Golden Globe both in the Best Original Song categories. Collins was the only Oscar-nominee in the category not invited to sing his song on stage, and sat in the audience as Ann Reinking performed it.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">When another song Collins performed for a movie, "Separate Lives", was being nominated for an Academy Award, in interviews about the original snub by the Academy for "Against All Odds", Collins would jokingly say "the hell with him - I'm going up too", referring to what he would do if the Stephen Bishop-written song were to win the award.<sup class="reference" id="cite_ref-Dallas_10-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[10]  Collins lost to the Stevie Wonder song "I Just Called to Say I Love You". ===Commercial performance<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">After its release, "Against All Odds" peaked at number two as a single in 1984 and became Collins' third top-ten single in the United Kingdom. In the United States, it peaked at number one on the Billboard Hot 100 for three weeks in the spring of 1984.<sup class="reference" id="cite_ref-HoganAllInfo_5-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">It is the first of six songs by Collins written specifically for a film soundtrack that would appear on the Hot 100.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed] ===Music video<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The single's music video was directed by Taylor Hackford, produced by Jeffrey Abelson through Parallax Productions and cinematographed by Daniel Pearl.<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[11]  Hackford was paid US$20,000 (out of a total budget of US$45,000)<sup class="reference" id="cite_ref-Film_History_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  for a complete Collins clip. The music video was released along with the single during the last week of February 1984.<sup class="reference" id="cite_ref-FOOTNOTEDenisoff1991406_7-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  A number one MTV video for several weeks, MTV ranked it as number four in its 1984 year-end top 20 video countdown.<sup class="reference" id="cite_ref-mtv_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  Gary LeMel, music supervisor at Columbia, felt the music video on MTV increased Against All Odds' box office takings by at least US$5 million.<sup class="reference" id="cite_ref-Film_History_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The music video is an early example of a highly conceptual approach to creating hybrid movie/music-videos that producer Abelson pioneered. Echoing the love triangle theme of the film, Collins is seen performing in front of a wall of rainwater that is alternately lit red, blue, and green—each colour representing one of the three main characters in the film. It is this colour schematic that is used as an organic segue to and from character-specific scenes in the movie. The final scene pulls back from Collins to reveal him standing in the middle of a water-filled triangle formed from neon tubes in the same three colours—completing the visual concept as the three main characters are superimposed around the neon triangle's three sides.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The concept for the video was created by Keith Williams, a Welsh-born writer who had already worked with Abelson on the video for "Dancin' With Myself" (Billy Idol), and who would go on to also create concepts for "Holding Out for a Hero" (Bonnie Tyler) and "Ghostbusters" (Ray Parker, Jr.) for the same producer as well as "Say You Say Me" (Lionel Richie) from White Nights, which Taylor Hackford also directed.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed] ===Charts<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Credits<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Mariah Carey version<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">American singer Mariah Carey co-produced her version of the song with James Harris III and Terry Lewis for her sixth studio album Rainbow. Carey co-produced the single edit of the song with Steve Mac.
 * Phil Collins - vocals, drums
 * Rob Mounsey - keyboards
 * Orchestra conducted by Arif Mardin

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Although the song was promoted as part of Carey's Rainbow in the United States, it was not released as a commercial or radio single there. It was initially released in some markets in early 2000. This was also the last single with her then label Columbia. The song reached top twenty in several countries. The highest peak of the song was number two in Norway.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The video for the Carey version of the song, directed by Paul Misbehoven, consists of a montage of clips of Carey singing the song from her various Rainbow World Tour stops to cullings from her Homecoming special. ===Critical reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Danyel Smith of Entertainment Weekly wrote: "Listeners with an eye on the tabloids could read her close, ringing interpretation of Phil Collins' 1984 hit, Against All Odds (Take a Look at Me Now), as a postmortem on her bittersweet affair with Yankee shortstop Derek Jeter and a poignant evocation of the couple's shared mixed-race heritage (You're the only one who really knew me at all)"<sup class="reference" id="cite_ref-26" style="line-height:1;unicode-bidi:-webkit-isolate;">[26]  L.A. Times' Elysa Gardner called this cover "surprisingly faithful, forthright" and "she resists her tendency to over-embellish notes and focuses on what really matters: the melody and lyrics."<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;">[27]  MTV Asia editor Dara Cook wrote: "Mariah festoons herself in Phil Collins' 1980s melodic garb, appropriately pret a porter with overwrought emotion. She delicately ascends the sparely accompanied first verses—but alas, that damn drum roll soon sounds and the bouffant strings and vocal gymnastics ensue."<sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;">[28]  Rolling Stone's Arion Berger was not happy with the cover selection which he called a "drippy Eighties power-pop hit."<sup class="reference" id="cite_ref-29" style="line-height:1;unicode-bidi:-webkit-isolate;">[29] ===Track listings<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === ===Charts<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Mariah Carey and Westlife version<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Carey released a second version featured the british group Westlife. The song was released as first single of the band's second album Coast to Coast. The song was released in September 2000, a few months after Carey's solo version. Carey did not re-record her vocals for the duet; however, the instrumental track was reproduced with a more organic sound complete with violins.
 * European CD single
 * 1) "Against All Odds (Take a Look at Me Now)"
 * 2) "Crybaby" (featuring Snoop Dogg)
 * European CD maxi-single
 * 1) "Against All Odds (Take a Look at Me Now)"
 * 2) "Crybaby" (featuring Snoop Dogg)
 * 3) "Thank God I Found You" (Stargate Radio Edit featuring Joe & 98°)
 * 4) "Can't Take That Away (Mariah's Theme)" (Morales Club Mix Edit)
 * Japanese CD single
 * 1) "Against All Odds (Take a Look at Me Now)" (featuring Westlife)
 * 2) "Against All Odds (Take a Look at Me Now)" (album version)
 * 3) "Against All Odds (Take a Look at Me Now)" (Pound Boys Radio Edit)
 * 4) "Against All Odds (Take a Look at Me Now)" (instrumental)

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The single was more successful than the original in the UK and Ireland where it peaked at number one, giving Westlife their sixth consecutive number one.<sup class="reference" id="cite_ref-39" style="line-height:1;unicode-bidi:-webkit-isolate;">[39] It also gave Carey her second number 1 single in the UK. The song has sold 375,000 copies in the total in the UK.<sup class="reference" id="cite_ref-40" style="line-height:1;unicode-bidi:-webkit-isolate;">[40]  The music video shows Carey and Westlife recording the song and exploring the island of Capri by boat. The UK version of the single includes a limited edition Enhanced CD with video, poster and Westlife-only version and CD with Westlife video interview and picture sleeves.<sup class="reference" id="cite_ref-41" style="line-height:1;unicode-bidi:-webkit-isolate;">[41] ===Tours performed at<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The Face To Face Tour (2006) ===Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Charts<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ====Year-end charts<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== ==Steve Brookstein version<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">English singer and The X Factor winner Steve Brookstein included "Against All Odds" on his debut studio album, Heart and Soul. It was released as his debut single on 20 December 2004 by Sony BMG. The single charted at number one in the United Kingdom and at number 11 in Ireland. It sold 127,701 copies in its first week in the UK, making it the lowest-selling X Factor winner's single to date.<sup class="reference" id="cite_ref-52" style="line-height:1;unicode-bidi:-webkit-isolate;">[52]  It has sold less than half the copies of Leon Jackson and Little Mix, a third of Joe McElderry's, a quarter of Matt Cardle's, and a fifth of those of Shayne Ward, James Arthur, Leona Lewis, and Alexandra Burke. The next fewest sales from a Winner's song was Sam Bailey selling 149k, 26k more than Brookstein. ===Background<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">In 2004, Brookstein won the televised UK talent competition The X Factor, and recorded a cover of the Phil Collins 1984 hit "Against All Odds" as his debut single. It entered the UK Singles Chart at number two behind "Do They Know It's Christmas?" by Band Aid 20, and then climbed to number one where it stayed for one week from 2 January 2005 to 8 January 2005 and was replaced by Elvis Presley's "Jailhouse Rock." "Against All Odds" was later included on Brookstein's debut album Heart and Soul. ===Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Charts<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Other covers<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Pop culture<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * United Kingdom
 * CD1
 * 1) "Against All Odds" - 3:21
 * 2) "Against All Odds" (Pound Boys Main Mix) – 9:09
 * 3) "Against All Odds" (Mariah Carey Solo Version) – 3:21
 * 4) "Westlife Interview" – 4:00
 * CD2
 * 1) "Against All Odds" – 3:21
 * 2) "Against All Odds" (Westlife Solo Version) – 3:21
 * 3) "Against All Odds" (Pound Boys Dub) – 6:48
 * 4) "Against All Odds" (Video) – 3:21
 * Cassette
 * 1) "Against All Odds" – 3:21
 * 2) "Against All Odds" (Pound Boys Radio Edit) – 3:48
 * Japan
 * 1) "Against All Odds" – 3:21
 * 2) "Against All Odds" (Pound Boys Radio Edit) – 3:48
 * 3) "Against All Odds" (Mariah Carey Solo Version) – 3:39
 * 4) "Against All Odds" (Instrumental) – 3:21
 * 1) "Against All Odds" – 3:17
 * 2) "Smile" (X Factor Performance) – 1:55
 * 3) "Help Me Make It Through the Night" (X Factor Performance) – 2:00
 * American indie-electronic group The Postal Service covered "Against All Odds" for the soundtrack to the 2004 film Wicker Park. The cover was later named as one of the best cover songs of all time by the New York Post.<sup class="reference" id="cite_ref-54" style="line-height:1;unicode-bidi:-webkit-isolate;">[54]
 * The Shadows did an instrumental of the song in 1986 on their album Moonlight Shadows.
 * Welsh singer Bonnie Tyler released the song as a single from her 2003 album Heart Strings.
 * Instrumental group John Tesh Project released their version from the album A Passionate Life.<sup class="reference" id="cite_ref-55" style="line-height:1;unicode-bidi:-webkit-isolate;">[55]
 * Michael Ball recorded the song and it appears on his albums The Movies,<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;">[56]  Stage and Screen<sup class="reference" id="cite_ref-57" style="line-height:1;unicode-bidi:-webkit-isolate;">[57]  and Seasons of Love.<sup class="reference" id="cite_ref-58" style="line-height:1;unicode-bidi:-webkit-isolate;">[58]

===Radio<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The song also features heavily in the first act of the This American Life episode 'Break Up'. The segment featured an interview with Collins, as well as narration from a woman who listened to the song to get over a break-up and vowed to write her own break-up song.