E.T.

"E.T." (an abbreviation for "extraterrestrial") is a song by American singer-songwriter Katy Perry taken from her third studio album, Teenage Dream (2010). It was serviced to radio stations as the album's fourth single on February 16, 2011. "E.T." was written by Perry along with the song's producers Dr. Luke, Max Martin, and Ammo, and features a guest rap by Kanye West. Musically, it is an electronic and hip hop ballad which draws heavily from dubstep and techno, along with smaller amounts of drum and bass. Lyrically, the song speaks of "falling in love with a foreigner".

"E.T." received generally positive reviews from music critics; many of whom complimented Perry's vocals and production throughout the song, while West's rapping style elicited a mixed response. The song became Perry's fifth non-consecutive number one on the U.S. Billboard Hot 100, and also topped charts in Canada, New Zealand, Poland, Australia, Ireland, Scotland, and Croatia. To date, "E.T." has sold over six million digital downloads worldwide, making it one of the best-selling singles worldwide and Perry's second highest selling song in the U.S. According to Billboard magazine, it was the fourth biggest song of 2011.

To promote the song, Perry and West performed on the tenth season of American Idol, the 54th Grammy Awards, and at Madison Square Garden for Z100's Jingle Ball. Floria Sigismondi directed the song's music video, which shows Perry as an evolving alien drifting in outer space before landing on an abandoned litter-covered Earth, while clips of large felines hunting game are interspersed. The video garnered positive reviews from music critics.



Contents
[hide]  *1 Background and release  ==Background and release[ edit] == The official single version of "E.T." features rap verses by Kanye WestPerry's decision to write "E.T." came after its beat was accidentally played during a recording session she had with Dr. Luke, Max Martin, and Ammo. It was originally intended for American hip hop group Three 6 Mafia.[1]  However, after hearing it, Perry chose to work with the track. She told MTV News: "I heard it and I always knew I wanted to write this futuristic, alienistic song, and they pulled it up and I was like, 'Wait, I can wrap my head around this. I know this seems like a long shot, but I think I have the perfect material to put on top of this sound.' And I did, and it really worked out perfectly."[2]
 * 2 Composition
 * 3 Critical reception
 * 4 Commercial performance
 * 5 Music video
 * 5.1 Background and production
 * 5.2 Synopsis
 * 5.3 Reception
 * 6 Live performances and cover versions
 * 7 Track listings and formats
 * 8 Credits and personnel
 * 9 Charts and certifications
 * 9.1 Weekly charts
 * 9.1.1 Single version
 * 9.1.2 Solo version
 * 9.2 Year-end charts
 * 9.3 Certifications
 * 10 Release history
 * 11 See also
 * 12 References
 * 13 External links

On August 17, 2010, the solo version of the song was released as a promotional single from Teenage Dream.[3]  In December 2010, Perry asked fans through Twitter to help her select the album's fourth single. On December 13, 2010, she tweeted, "Thanks for all your great suggestions for the next single today!" and "Your voice has been heard! We're on the same page."[4]  In early January 2011, Perry announced via Facebook that "E.T." would be record's fourth single. The announcement was accompanied with the single's artwork, which features Perry with "cat eye make-up, bangs, and a sequined top".[5]  Unlike the original, the single version features rap verses from rapper Kanye West.[6]  It was released for digital download on February 16, 2011, worldwide. "E.T." was released as a CD single on March 17, 2011 in the United Kingdom.<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  On April 12, 2011, the song was sent for airplay on US urban radio.<sup class="reference" id="cite_ref-urban_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[8] ==Composition<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Musically, "E.T." is an electronic and hip hop song, and draws heavily from dubstep and techno, along with smaller amounts of drum and bass.<sup class="reference" id="cite_ref-BB_11-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[11] <sup class="reference" id="cite_ref-hitthenet_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[12] <sup class="reference" id="cite_ref-horse_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[13] <sup class="reference" id="cite_ref-nova_14-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[14]  BBC Music described the song as a "rave-influenced quasi ballad".<sup class="reference" id="cite_ref-BBC_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[15]  The song is written in the key of F minor and follows a slowtempo of 76 beats per minute in common time. Perry's vocal range spans from E♭<sub style="line-height:1;">4 to D♭<sub style="line-height:1;">5.<sup class="reference" id="cite_ref-Musicnotes_16-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[16]  Ann Powers of Los Angeles Times noted a "hip-hop diva's stutter" in the song similar to that of Rihanna.<sup class="reference" id="cite_ref-LAT_9-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[9]  Matthew Perpetua of Rolling Stone felt the song was similar in sound to hard rock ballads byEvanescence.<sup class="reference" id="cite_ref-RS_17-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[17]  The song's production has been described as "a mishmash and bleeps and blips with a driving drum track".<sup class="reference" id="cite_ref-NP_18-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[18]  Darryl Sterdan of theQMI Agency noted the song uses the "stomp-stomp-clap" beat from Queen's "We Will Rock You" (1977),<sup class="reference" id="cite_ref-canoe_10-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[10]  while Allmusic's Stephen Thomas Erlewine noted similarities to productions helmed by Ryan Tedder.<sup class="reference" id="cite_ref-allrev_19-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[19]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">According to Perry, the song is about "falling in love with a foreigner".<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;">[20]  James Montgomery of MTV News also noted that Perry sings about a "lover from different dimension".<sup class="reference" id="cite_ref-hitthenet_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  For its single release, the song was reworked to feature two verses from Kanye West, in which he raps about "extraterrestriality".<sup class="reference" id="cite_ref-getsdirty_21-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[21]  "E.T." opens with the first rap verse by West containing the lines "I got a dirty mind / I got filthy ways / I'm trying to bathe my Ape in your milky way / They callin' me an alien / A big-headed astronaut".<sup class="reference" id="cite_ref-getsdirty_21-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[21]  Then, using metaphors about extraterrestrials, Perry sings, "You're not like the others / Futuristic lover / Different DNA".<sup class="reference" id="cite_ref-coins_22-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[22]  The chorus has Perry addressing her lover: "Kiss me, kiss me / Infect me with your love and / Fill me with your poison", claiming to be "ready for abduction".<sup class="reference" id="cite_ref-albumnotes_23-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[23]  West contributes a second verse to the track, before Perry's final refrain, with heavily auto-tuned vocals: "I know a bar out in Mars / Where they driving spaceships instead of cars".<sup class="reference" id="cite_ref-NP_18-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[18] <sup class="reference" id="cite_ref-coins_22-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[22]  He finishes with a reference to the fictional animated character Shrek and lyrics about "alien sex": "I'mma disrobe you then I'mma probe you / See, I abducted you so I tell you what to do."<sup class="reference" id="cite_ref-getsdirty_21-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[21]  Ben Kaplan from National Post noted West's presence on the track was similar to the work on his fourth studio album, 808s & Heartbreak (2008).<sup class="reference" id="cite_ref-NP_18-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[18] ==Critical reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">"E.T." has received positive reviews from contemporary music critics. Leah Greenblatt of Entertainment Weekly felt that Perry shows strength on the song, comparing its sound to a combination of American rock musicians Lita Ford and Trent Reznor.<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]  Kerri Mason from Billboard felt that "E.T." together with some other tracks from the albums is heavier sonically and lyrically, with a boom-boom-pow electro punch and Perry discussing more toxic relationships."<sup class="reference" id="cite_ref-billboard_25-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[25]  Even though Robert Copsey from Digital Spy stated that West's contribution on the track was "needless", he felt that the track "is a quirky and assured slice of state-of-the-art pop".<sup class="reference" id="cite_ref-DS_26-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[26]  Ben Kaplan from The National Post lauded the track as a "great duet", praising the vocals of both performers.<sup class="reference" id="cite_ref-NP_18-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[18]  Speaking for West's contribution on the track Brad Wete from Entertainment Weekly noted that the song was improved from a male perspective.<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;">[27]  Stephen Thomas Erlewine from AllMusic commented that Perry "replicates Ryan Tedder's glassy robotic alienation on 'E.T.', but tellingly avoids ripping off Lady Gaga".<sup class="reference" id="cite_ref-allrev_19-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[19]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Matthew Cole of Slant Magazine disliked the single's "inscrutability" and said that song's backing track was reminiscent of t.A.T.u.'s "All the Things She Said".<sup class="reference" id="cite_ref-SM_28-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[28]  Jason Richards from Now called the song "awkward" and Sputnikmusic's Rudy Clapper dismissed its attempt at a more mature sound, calling it "cheesy".<sup class="reference" id="cite_ref-29" style="line-height:1;unicode-bidi:-webkit-isolate;">[29] <sup class="reference" id="cite_ref-30" style="line-height:1;unicode-bidi:-webkit-isolate;">[30]  PopMatters' staff writer Steve Leftridge called the song "neither strong nor edgy nor clever nor sonically interesting enough to lend any genuine credibility to Perry as a serious artist with anything to actually say."<sup class="reference" id="cite_ref-31" style="line-height:1;unicode-bidi:-webkit-isolate;">[31]  Amos Barshad of New York magazine felt West's alien metaphors went into jarring, misogynistic directions.<sup class="reference" id="cite_ref-coins_22-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[22]  Genevieve Koski of The A.V. Club gave the song a C-, saying that while its lyrical content was "borderline-embarrassing", it did earn "a couple bonus points for showing a relatively darker side" of Perry, while A.V. Club editor Steven Hyden was more critical of the both Perry's and West's lyrics, saying that "borderline-embarrassing" was too generous and that "the whole concept of the song is so beyond either side of sanity" that it was impossible to grade.<sup class="reference" id="cite_ref-32" style="line-height:1;unicode-bidi:-webkit-isolate;">[32] ==Commercial performance<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">One week before the official release of Teenage Dream, the solo version of "E.T." was released as a promotional single and debuted on the US Billboard Hot 100 chart at number 42, selling 64,000 digital copies.<sup class="reference" id="cite_ref-us10peak_3-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]  Following its single release featuring West, the song re-entered the Billboard Hot 100 on March 5, 2011 at number 28 with 110,000 copies being sold.<sup class="reference" id="cite_ref-33" style="line-height:1;unicode-bidi:-webkit-isolate;">[33]  In its fifth week, for the issue dated April 9, 2011, "E.T." topped the chart, giving Perry her fifth and West his fourth number-one single on the Hot 100.<sup class="reference" id="cite_ref-34" style="line-height:1;unicode-bidi:-webkit-isolate;">[34]  It ended the six-week run of Lady Gaga's "Born This Way" and made Teenage Dream the ninth album in history to yield four number-one singles.<sup class="reference" id="cite_ref-us11peak_35-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[35]  "E.T." spent five non-consecutive weeks at number-one on the Hot 100 chart and was certified quintuple platinum by the Recording Industry Association of America (RIAA), denoting shipments of more than five million digital copies.<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;">[36]  It topped the Billboard Hot Digital Songs chart for seven weeks, the longest since Eminem and Rihanna's "Love the Way You Lie" in 2010.<sup class="reference" id="cite_ref-evendivas_37-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  "E.T." is one of the best-selling singles worldwide, and is the second-highest-selling single of Perry's career. According to Billboard, it was the fourth-biggest hit of 2011.<sup class="reference" id="cite_ref-horse_13-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">It debuted the same week on the Canadian Hot 100 at number 13.<sup class="reference" id="cite_ref-can10peak_38-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[38]  In Australia, the song debuted at number 12 and peaked at number five for two weeks in February 2011.<sup class="reference" id="cite_ref-auspeak_39-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[39]  Since then "E.T." has beencertified double platinum by the Australian Recording Industry Association.<sup class="reference" id="cite_ref-auscert_40-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[40]  One week after debuting at number 17, "E.T." topped the New Zealand Singles Chart on January 31, 2011, becoming her sixth number-one in the country, and has been certified platinum by the Recording Industry Association of New Zealand for sales of 15,000.<sup class="reference" id="cite_ref-nzpeak_41-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[41]  As of July 20, 2011, it also became Perry's third single to be on New Zealand's Best Singles of All Time, just behind "Firework" and "California Gurls".<sup class="reference" id="cite_ref-42" style="line-height:1;unicode-bidi:-webkit-isolate;">[42]  On February 26, 2011, the solo version of the song entered the Billboard Hot Dance Club Songs chart at number 36, and later topped it, becoming her sixth number-one on the chart.<sup class="reference" id="cite_ref-43" style="line-height:1;unicode-bidi:-webkit-isolate;">[43] <sup class="reference" id="cite_ref-bbdance_44-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[44]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">On the Billboard Mainstream Top 40 (Pop Songs), "E.T." set a record for most weekly plays in the 18-year history of the chart: for the tracking week of April 25 – May 1, 2011, Nielsen Broadcast Data Systemsregistered 12,330 plays over its 131 stations—an average of 94 plays per station. This figure rewrote Perry's previous record held with "California Gurls" in July 2010 (12,159).<sup class="reference" id="cite_ref-setsairplay_45-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[45]  That record was later broken yet again by Perry, when her single "Last Friday Night (T.G.I.F.)" registered 12,468 plays for the week dated August 13, 2011.<sup class="reference" id="cite_ref-46" style="line-height:1;unicode-bidi:-webkit-isolate;">[46]  Meanwhile, on the Rhythmic Airplay Chart, she achieved her first number-one hit, a rare feat for female pop artists considering she was the third to ever do so.<sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;">[47]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">In other Billboard charts, "E.T." reached number two on the Adult Pop Songs chart, and the top 20 on the Adult Contemporary and Latin Pop Songs charts.<sup class="reference" id="cite_ref-bbcurrent_48-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[48] <sup class="reference" id="cite_ref-bbhighlights_49-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[49]  Its highest sales week according to Nielsen SoundScan came in its fourth week at the summit of the Billboard Hot 100, where it sold 344,000 copies following its American Idol performance.<sup class="reference" id="cite_ref-returnsto_50-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[50]  The song sold over 300,000 digital copies in a week four times, becoming one of four songs in history to achieve this.<sup class="reference" id="cite_ref-evendivas_37-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  "E.T." was certified double platinum by the Recording Industry Association of America on April 28, 2011.<sup class="reference" id="cite_ref-uscert_51-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[51]  "E.T." was the highest selling track for the first half of 2011. The song is Perry's fourth and West's first song to reach the 5 million range which, for Perry is more than any other female artist in digital history.<sup class="reference" id="cite_ref-52" style="line-height:1;unicode-bidi:-webkit-isolate;">[52] <sup class="reference" id="cite_ref-53" style="line-height:1;unicode-bidi:-webkit-isolate;">[53]  As of May 2014, the song has sold 5,736,000 copies in the US.<sup class="reference" id="cite_ref-54" style="line-height:1;unicode-bidi:-webkit-isolate;">[54] <sup class="reference" id="cite_ref-E.T._Digital_Sales_2014_55-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[55]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The song re-entered the Canadian Hot 100 at number 18 following its single release and topped the chart in its 12th week, on May 7, 2011.<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;">[56] <sup class="reference" id="cite_ref-57" style="line-height:1;unicode-bidi:-webkit-isolate;">[57]  "E.T." has charted in Ireland at number five, has become a top ten hit in Austria, Germany, and Italy, and became a top 20 hit in Belgium (Wallonia), Denmark, France, Finland, Norway, Sweden, and Switzerland, and a top 40 hit in Belgium (Flanders).<sup class="reference" id="cite_ref-auspeak_39-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[39] <sup class="reference" id="cite_ref-irlpeak_58-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[58] <sup class="reference" id="cite_ref-depeak_59-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[59] <sup class="reference" id="cite_ref-itapeak_60-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[60]  On the UK Singles Chart, the single peaked at number three in its eighth week, becoming her eighth top ten hit there.<sup class="reference" id="cite_ref-ukpeak_61-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[61]  Elsewhere in Europe, the song charted in its solo version at number 18 on the Slovak airplay chart, 20 on the Czech airplay chart, 27 on the Dutch Top 40, and 28 on the Greek airplay chart.<sup class="reference" id="cite_ref-svkpeak_62-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[62] <sup class="reference" id="cite_ref-nlpeak_63-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[63] <sup class="reference" id="cite_ref-czepeak_64-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[64] <sup class="reference" id="cite_ref-grcpeak_65-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[65]  As of July 2012, the song has sold over 6.4 million digital copies worldwide.<sup class="reference" id="cite_ref-66" style="line-height:1;unicode-bidi:-webkit-isolate;">[66] ==Music video<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Background and production<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">MTV debuted the video on March 31, 2011.<sup class="reference" id="cite_ref-67" style="line-height:1;unicode-bidi:-webkit-isolate;">[67]  A backstage picture of West wearing street clothes along with Perry in a pastel-colored makeup and a giant braided headpiece was shown on MTV.<sup class="reference" id="cite_ref-kanyejoins_6-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[6]  On March 21, a teaser trailer was released; it was 12 seconds long and showed clips of an unidentified flying object.<sup class="reference" id="cite_ref-teaser_68-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[68]  Its music video was directed by Floria Sigismondi.<sup class="reference" id="cite_ref-kanyejoins_6-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[6] <sup class="reference" id="cite_ref-69" style="line-height:1;unicode-bidi:-webkit-isolate;">[69]  Perry stated: "I'm looking forward to making music videos on this new album. There's a story to the songs..... I'm really excited about ..... making those music videos that are going to be larger than life."<sup class="reference" id="cite_ref-kanyejoins_6-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[6] <sup class="reference" id="cite_ref-teaser_68-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[68] ===Synopsis<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === Perry kisses Shaun Ross to transform him from a robotic alien being.<p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The video begins with the song "Where in the World Can My Lover Be?" by Midge Williams & Her Jazz Jesters playing in the background. As the music begins, West is shown in a Sputnik like spacecraft revealing pictures before zooming out of the craft.<sup class="reference" id="cite_ref-http:.2F.2Fidolator.com_70-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[70]  In the video, Perry, as an alien, drifts through outer space while slowly evolving into a humanoid appearance before landing on an abandoned Earth. Clips are interspersed of large felines hunting game.<sup class="reference" id="cite_ref-watchan_71-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[71]  She comes across a broken robot, resembling a spaceman; upon her kiss it turns into a naked male, played by Shaun Ross.<sup class="reference" id="cite_ref-shaun_72-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[72]  It is eventually revealed that Perry's legs resemble those of a gazelle.<sup class="reference" id="cite_ref-paskin_73-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[73]  Meanwhile, West is featured in the video floating in a traveling spacecraft.<sup class="reference" id="cite_ref-74" style="line-height:1;unicode-bidi:-webkit-isolate;">[74] <sup class="reference" id="cite_ref-75" style="line-height:1;unicode-bidi:-webkit-isolate;">[75]  The video also alludes to a presumable future, as Perry finds a box containing a skeleton of a pigeon (a species said to have gone extinct in 2030) and a pair of Vogue sunglasses, which she later wears. Throughout the video, Perry wears heavy cosmetics,<sup class="reference" id="cite_ref-videopremieres_76-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[76]  including blue and pink make-up, cat-like and reptile-like eyes, and braids resembling those of Medusa.<sup class="reference" id="cite_ref-phones_77-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[77] <sup class="reference" id="cite_ref-78" style="line-height:1;unicode-bidi:-webkit-isolate;">[78] ===Reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The video received positive reviews from critics. Willa Paskin of New York magazine praised Perry's looks in the video as "detailed, outlandish, [and] semi-gorgeous rainbow-kabuki".<sup class="reference" id="cite_ref-paskin_73-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[73]  Kara Warner fromMTV News also praised her appearance in the video, calling her an "angelic alien princess". She also felt the video was Perry's "most complex, stylized and out-there video production yet."<sup class="reference" id="cite_ref-watchan_71-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[71]  Joseph Brannigan Lynch of Entertainment Weekly felt that West's rap verses helped the song top the Billboard Hot 100, and called the video an "awesomely bizzare sci-fi video, which impressively resists any obvious Spielberg references".<sup class="reference" id="cite_ref-79" style="line-height:1;unicode-bidi:-webkit-isolate;">[79]  Matthew Perpetua from Rolling Stone described the video as "a sequel to Avatar or a Katy Perry video game", and felt the song and video were "a bold move away from Perry's usual silliness and sexuality".<sup class="reference" id="cite_ref-RS_17-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[17]  Los Angeles Times described the video as a "sweeping visual manifestation".<sup class="reference" id="cite_ref-80" style="line-height:1;unicode-bidi:-webkit-isolate;">[80]  In a more negative review, Sal Cinquemani from Slant Magazine complained that Perry looked like an "animated video-game character" while saying West was a "non-presence". Cinquemani later went on to say: "It's a step up from bras that shoot whipped cream and fireworks, but this is ultimately Sigimondi's vision, and it's far from her finest five minutes."<sup class="reference" id="cite_ref-81" style="line-height:1;unicode-bidi:-webkit-isolate;">[81]  At the 2011 MTV Video Music Awards, the video for "E.T." won awards for Best Collaboration and Best Special Effects.<sup class="reference" id="cite_ref-82" style="line-height:1;unicode-bidi:-webkit-isolate;">[82] ==Live performances and cover versions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Perry performing "E.T." inBudapest, Hungary in October 2010.<p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The song was included on the set list of the California Dreams Tour, Perry's second concert tour.<sup class="reference" id="cite_ref-83" style="line-height:1;unicode-bidi:-webkit-isolate;">[83]  Perry has also performed "E.T." at several venues, including a performance at Madison Square Garden in Manhattan on December 10, 2010 for Z100's Jingle Ball.<sup class="reference" id="cite_ref-84" style="line-height:1;unicode-bidi:-webkit-isolate;">[84]  The song was released as a free track on Katy Perry Revenge 2, a game for the iOS application Tap Tap.<sup class="reference" id="cite_ref-85" style="line-height:1;unicode-bidi:-webkit-isolate;">[85]  A lyrics video for the single was released on March 16, 2011.<sup class="reference" id="cite_ref-86" style="line-height:1;unicode-bidi:-webkit-isolate;">[86]  After playing "We Will Rock You", West performed "E.T." without Perry at the 2011 Coachella Valley Music and Arts Festival.<sup class="reference" id="cite_ref-87" style="line-height:1;unicode-bidi:-webkit-isolate;">[87]  Perry performed the single with West for the first time on the tenth seasonof American Idol on April 21, 2011. Carried by background dancers, she wore a flickering outfit and was joined by West, who was previously unannounced.<sup class="reference" id="cite_ref-88" style="line-height:1;unicode-bidi:-webkit-isolate;">[88]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">An acoustic version of "E.T." was performed by VersaEmerge in May 2011 at the The Fueled By Ramen Studios.<sup class="reference" id="cite_ref-89" style="line-height:1;unicode-bidi:-webkit-isolate;">[89]  On June 27, 2011, the video of a stripped-down cover of the song by the American pop punk/alternative rock band Yellowcard was featured in Billboard's Mashup Mondays series.<sup class="reference" id="cite_ref-90" style="line-height:1;unicode-bidi:-webkit-isolate;">[90] ==Track listings and formats<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Credits and personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Credits adapted from Teenage Dream album liner notes.<sup class="reference" id="cite_ref-albumnotes_23-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[23] ==Charts and certifications<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Release history<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * Ammo – composer, drums, keyboards, programming, producer
 * Megan Dennis – production coordination
 * Serban Ghenea – mixing
 * Jon Hanes – mix engineer
 * Sam Holland – engineer
 * Dr. Luke – composer, drums, keyboards, programming, producer
 * Max Martin – composer, drums, keyboards, programming, producer
 * Katy Perry – composer, vocals
 * Kanye West – vocals
 * Irene Richter – production coordination
 * Vanessa Silberman – production coordination
 * Emily Wright – engineer