Leon Haywood

Otha Leon Haywood (born February 11, 1942,  Houston,  Texas) is an  American  funk and  soul  singer,  songwriter and  record producer. He is best known for his 1975  hit single "I Want'a Do Something Freaky To You", which has been much  sampled by  Dr. Dre and others.

==Career == Born in Houston, he listened to the blues as a child and started playing piano at the age of three. In his teens, he performed with a local group and worked as an accompanist to blues musician, Guitar Slim. In the early 1960s, he moved to Los Angeles, California, where he worked with saxophonist Big Jay McNeely. McNeely arranged for him to record his first single, "Without A Love", an instrumental on the small Swingin' record label. After that, he joined Sam Cooke's band as keyboardist until the singer's death. Haywood next recorded two singles forFantasy Records, and subsequently moved to Imperial Records, where he recorded the single "She's With Her Other Love", which made the R&B charts in 1965.[1]  He was also part of two session bands organized by Los Angeles disc jockey Magnificent Montague which issued the instrumental hits "Hole In The Wall" (R&B #5/Pop #50, 1965) under the name of The Packers, and "Precious Memories" (R&B number 31, 1967) as the Romeos. In 1967, Haywood secured his first solo hit with "It's Got To Be Mellow" (R&B #21 and Pop #63) on Decca Records. He played on further recording sessions with the Packers and Dyke & the Blazers, then returned to recording under his own name.<sup class="reference" id="cite_ref-allmusic_2-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[2]  He also established in 1967 a production company, Evejim, named after his parents.<sup class="reference" id="cite_ref-jb_3-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">He found only sporadic success as a singer, most notably with "It's Got To Be Mellow" and "Keep It In The Family". In the Carolinas and Virginia, Haywood's song, "It's Got To Be Mellow," has become a timeless beach musicclassic.<sup class="Template-Fact" style="line-height:1em;white-space:nowrap;">[citation needed]  After recording for Columbia Records, he moved over to MCA Records. He emerged as a star in the 1970s by modifying his style to incorporate the emerging funk and disco idioms. Haywood joined 20th Century Records in 1974 and was immediately successful, notably with "I Want'a Do Something Freaky To You" (R&B #7/Pop #15, 1975), "Strokin' (Pt. II)" (R&B #13, 1976) and "Party" (R&B #24, 1978).<sup class="reference" id="cite_ref-whitburnr.26b_4-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[4]  In 1980, Haywood revived the shuffle beat of 1950s rock and roll with "Don't Push It Don't Force It" (R&B #2 and Pop #49). This single also reached #12 in the UK, where he is considered a one-hit wonder.<sup class="reference" id="cite_ref-British_Hit_Singles_.26_Albums_5-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[5]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">Haywood is credited with writing the 1981 hit "She's a Bad Mama Jama" by Carl Carlton, which he produced in his own studio.<sup class="reference" id="cite_ref-jb_3-1" style="line-height:1em;unicode-bidi:-webkit-isolate;">[3]  In 1983, he released the album It's Me Again, which featured a couple minor R&B hits. His last R&B chart record was "Tenderoni" (#22) in 1984, but the accompanying album, Now and Then<sup class="reference" id="cite_ref-6" style="line-height:1em;unicode-bidi:-webkit-isolate;">[6]  went unreleased. After a few more chart singles, for Casablanca Records and Modern Records, Haywood disappeared from the charts. In the late 1980s he became associated in an executive/production capacity with the Los Angeles based Edge Records. Since the 1980s, he has produced blues albums by Jimmy McCracklin, Clay Hammond, Ronnie Lovejoy, Buddy Ace and others on his own Evejim Records label.<sup class="reference" id="cite_ref-allmusic_2-1" style="line-height:1em;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-jb_3-2" style="line-height:1em;unicode-bidi:-webkit-isolate;">[3] ==Use in samples<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == <p style="line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">"I Want'a Do Something Freaky To You" was sampled on two of Dr. Dre's singles, "Nuthin' But a "G" Thang" and "The Wash," although his name was improperly cited on The Chronic album as "L. Hayward." The song was also sampled on the song "Shuda Beena B-Dog" on Bangin' on Wax & "G's & Loc's" on Bangin' on Wax 2... The Saga Continues, Redman track "Rockafella", on Redman's Dare Iz a Darkside album, and on the track "Mobster's Anthem", fromTwista's Adrenaline Rush. Mariah Carey also sampled the song for her 2002 album Charmbracelet for the song "You Had Your Chance", putting Haywood as one collaborator. Furthermore samples are used in both, "Medina's in da House" and "Danger pt. 2" from Brooklyn hip-hop group Blahzay Blahzay on there album Blah Blah Blah (Blahzay Blahzay album), from 1996. ==Discography<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> == ===Chart singles<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> === ===Albums<span class="mw-editsection mw-editsection-expanded" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="margin-left:-0.25em;margin-right:0.25em;color:rgb(85,85,85);"> ===
 * Soul Cargo (Fat Fish, 1966)
 * It's Got To Be Mellow (Decca, 1968)
 * Back To Stay (20th Century, 1973)
 * Keep It In The Family (20th Century, 1974)
 * Come And Get Yourself Some (20th Century, 1975)
 * Intimate (Columbia, 1976)
 * Double My Pleasure (MCA, 1978)
 * Energy (MCA, 1979)
 * Naturally (20th Century, 1980)
 * It's Me Again (Casablanca, 1983)
 * Freaky Man (Evejim, 1994)