Dobie Gray

Dobie Gray (born Lawrence Darrow Brown on July 26, 1940 – December 6, 2011)[1] [2] [3]  was an American singer and songwriter, whose musical career spanned soul,country, pop, and musical theater. His hit records included "The 'In' Crowd" in 1965 and "Drift Away", which was one of the biggest hits of 1973, sold over one million copies, and remains a staple of radio airplay.[2]



Contents
[hide]  *1 Life and career  ==Life and career[ edit] == He was born near Houston, Texas, by his own account in Simonton although some sources suggest the nearby town of Brookshire.[4] [5]  His birth name was most likelyLawrence Darrow Brown,[5] [6]  who is listed in Fort Bend County birth records as being born in 1940 to Jane P. Spencel and Jethro Clifton Brown. Other sources suggest he may have been born Leonard Victor Ainsworth,[2]  a name he used on some early recordings.
 * 2 Death
 * 3 Discography
 * 3.1 Albums
 * 3.2 Chart singles
 * 3.3 Featured singles
 * 4 See also
 * 5 References
 * 6 External links

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">His family sharecropped. He discovered gospel music through his grandfather, a Baptist minister.<sup class="reference" id="cite_ref-dobiegraybio_4-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[4]  In the early 1960s he moved to Los Angeles, intending to pursue an acting career while also singing to make money. He recorded for several local labels under the names Leonard Ainsworth, Larry Curtis, and Larry Dennis, beforeSonny Bono directed him towards the small independent Stripe Records. They suggested that he record under the name "Dobie Gray", an allusion to the then-popularsitcom The Many Loves of Dobie Gillis.<sup class="reference" id="cite_ref-commappeal_5-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">His first taste of success came in 1963 when his seventh single "Look At Me", on the Cor-Dak label and recorded with bassist Carol Kaye,<sup class="reference" id="cite_ref-graydiscog_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  reached #91 on the Billboard Hot 100.<sup class="reference" id="cite_ref-whitburn_pop_6-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[6] <sup class="reference" id="cite_ref-oldies_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]  However, his first album, Look!, failed to sell.<sup class="reference" id="cite_ref-graydiscog_7-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  Greater success came in early 1965 when his original recording of "The 'In' Crowd" (recorded later that year as an instrumental by Ramsey Lewis, and also covered in 1965 by Petula Clark) reached #13. Written by Billy Page and arranged by his brother Gene,<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[9]  and produced by Fred Darian,<sup class="reference" id="cite_ref-whitburn_pop_6-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[6] <sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[10]  Dobie Gray's record reached #11 on the US R&B chart, and #25 in the UK. The follow-up, "See You at the Go-Go", recorded with such top session musicians as Kaye, Hal Blaine, and Larry Knechtel, also reached the Hot 100, and he issued an album, Dobie Gray Sings For 'In' Crowders That Go Go Go, which featured some self-penned songs.<sup class="reference" id="cite_ref-graydiscog_7-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Gray continued to record, though with little success, for small labels such as Charger and White Whale, as well as contributing to movie soundtracks.<sup class="reference" id="cite_ref-oldies_8-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]  He also spent several years working as an actor, including 2½ years in the Los Angeles production of Hair.<sup class="reference" id="cite_ref-AMG_2-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-commappeal_5-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  In 1970, while working there, he joined a band, Pollution, as singer and percussionist. They were managed by actor[http://en.wikipedia.org/wiki/Max_Baer_Jr. Max Baer Jr.] (best known as "Jethro" in The Beverly Hillbillies) and released two albums of soul-inspired psychedelic rock, Pollution I and Pollution II.<sup class="reference" id="cite_ref-graydiscog_7-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[7] <sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[11]  The band also included singer Tata Vega and guitarist/singer James Quill Smith. He also worked at A & M Records on demo recordings with songwriter Paul Williams.<sup class="reference" id="cite_ref-commappeal_5-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 1972, he won a recording contract with Decca Records (shortly before it became part of MCA) to make an album with producer Mentor Williams---Paul's brother---in Nashville. Among the songs they recorded at theQuadrafonic Sound Studios, co-owned by session musicians Norbert Putnam and David Briggs, was Mentor Williams' "Drift Away", featuring a guitar riff by Reggie Young.<sup class="reference" id="cite_ref-commappeal_5-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] <sup class="reference" id="cite_ref-mixonline_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  Released as a single, the song rose to #5 on the US pop chart and remains Dobie Gray's signature song.<sup class="reference" id="cite_ref-AMG_2-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  It placed at #17 in the Billboard Year-End Hot 100 singles of 1973. The follow-up, a version of Tom Jans' much-covered song "Loving Arms", hit #61. Gray also released three albums with MCA, Drift Away, Loving Arms, and Hey, Dixie, but later stated that MCA were unsure of how to market the albums---"They didn't know where to place a black guy in country music."<sup class="reference" id="cite_ref-commappeal_5-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]

Gray performing in 2004<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In the mid-1970s, he moved permanently to Nashville and signed for Capricorn Records, writing songs in collaboration with Troy Seals.<sup class="reference" id="cite_ref-AMG_2-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  His last solo hit singles were "If Love Must Go", #78 in 1976, and "You Can Do It", #37 in 1978.<sup class="reference" id="cite_ref-whitburn_pop_6-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[6]  He increasingly concentrated on songwriting, writing songs for a variety of artists including Ray Charles, George Jones, Johnny Mathis, Charley Pride, and Don Williams.<sup class="reference" id="cite_ref-commappeal_5-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[5] <sup class="reference" id="cite_ref-oldies_8-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]  He also toured in Europe, Australia and Africa in the 1970s. He performed in South Africa only after persuading theapartheid authorities to allow him to play to integrated audiences, becoming the first artist to do so.<sup class="reference" id="cite_ref-AMG_2-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  His popularity in South Africa continued through numerous subsequent concert tours.<sup class="reference" id="cite_ref-dobiegraybio_4-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[4] <sup class="reference" id="cite_ref-commappeal_5-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Dobie Gray re-emerged as a recording artist for Capitol Records in the mid-1980s, recording with producer Harold Shedd. He placed two singles on the US country chart in 1986-87, including "That's One to Grow On" which peaked at #35.<sup class="reference" id="cite_ref-AMG_2-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-Singles_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  His country albums included From Where I Stand in 1986, and he made several appearances at Charlie Daniels' popular Volunteer Jam concerts.<sup class="reference" id="cite_ref-oldies_8-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]  He also sang on a number of TV and radio jingles.<sup class="reference" id="cite_ref-commappeal_5-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]  In 1997, he released the album Diamond Cuts, including both new songs and re-recordings of older material.<sup class="reference" id="cite_ref-AMG_2-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 2000, Wigan Casino DJ Kev Roberts, compiled The Northern Soul Top 500, which was based on a survey of northern soul fans.<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;">[14]  Gray's "Out On The Floor", a 1966 recording which would become a British hit in 1975, made the Top 10.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">"Drift Away" became a hit again in 2003, when it was covered by Uncle Kracker on his No Stranger to Shame album as a duet with Dobie Gray, who was also featured in the video. It hit #9 and placed at #19 in theBillboard Year-End Hot 100 singles of 2003. ==Death<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">On December 6, 2011, Gray's official website stated that he had died.<sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;">[15]  According to the Associated Press, he died at his home in Nashville, Tennessee after a long battle with cancer.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;">[16]  Sources differed as to his age; his official site stated he was 71, while the AP stated he was 69. ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Albums<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Side A   A1- You Can Do It    A2- We've Got To Get It On Again A3- Let This Man Take Hold Of Your Life A4- Weekend Friend A5- Miss You Nights Side B   B1- I Can See Clearly Now B2- Sharing The Night Together B3- Who's Lovin' You B4- I'll Be Your Hold Me Tight B5- Thank You For Tonight <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Source:<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;">[17] ===Chart singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Featured singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ===
 * Look (Stripe, 1963)
 * Dobie Gray Sings For "In" Crowders (Charger, 1965)
 * Pollution (Prophecy/Atlantic, 1970)
 * Pollution II (Prophecy/Atlantic, 1971)
 * Drift Away (Decca/MCA, 1973) US #64
 * Loving Arms (MCA, 1974) US #188
 * Hey Dixie (MCA, 1975)
 * New Ray Of Sunshine (Capricorn, 1976)
 * Let Go (Capricorn, 1977)
 * The Best Of Dobie Gray (Gallo, 1978)
 * Dobie Gray & Mary Wells (Gusto Inc., 1978)
 * Midnight Diamond (Capricorn, 1978) US #174, R&B #72
 * Dobie Gray (Infinity, 1979)
 * Welcome Home (Equity / Robox, 1981)
 * From Where I Stand (Capitol/EMI/Amer., 1986)
 * Love’s Talkin’ (Capitol/EMI/Amer., 1987)
 * Dobie Gray: His Very Best (Razor & Tie, 1996)
 * Diamond Cuts (Dobie Gray Prods., 1998)
 * Soul Days (CDMemphis, 2001)
 * Dobie Gray: The Ultimate (Universal Hip-O, 2001)
 * Songs Of The Season (Dobie Gray Prods., 2001)
 * Dobie Gray: A Decade of Dobie (1969–1979) (UMG/Select-O-Hits, 2005)