Ray Barretto



Ray Barretto (April 29, 1929 – February 17, 2006) was an American Grammy Award-winning Latin/Latin jazz musician of Puerto Rican ancestry.



Contents
[hide]  *1 Early years  ==Early years[edit] == Barretto (whose surname is really "Barreto"; a mistake at the time Ray's birth certificate was filed gave his last name its formal spelling) was born in New York City. His parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. He was raised in Spanish Harlem and at a very young age was influenced by his mother's love of music and by the jazz music of musicians such as Duke Ellington and Count Basie.[1] [2] [3]
 * 2 Barretto plays for Charlie Parker
 * 3 Success with "El Watusi"
 * 4 Later years
 * 4.1 Death
 * 5 Discography
 * 5.1 As leader
 * 5.2 With Guarare
 * 5.3 With New World Spirit
 * 5.4 As sideman
 * 6 See also
 * 7 References
 * 8 External links

In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, Barretto met Belgian vibist Fats Sadi, who was working there. However, it was when he heard Dizzy Gillespie's "Manteca" withCuban composer/percussionist Chano Pozo that he realized his true calling in life.[1] [2] [3] ==Barretto plays for Charlie Parker[edit] == In 1949, when Barretto returned home from military service, he started to visit clubs and participated in jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.[1] [2] <sup class="reference" id="cite_ref-RB3_3-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] ==Success with "El Watusi"<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[edit] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels.He also recorded on Columbia Records with Jazz flautist Herbie Mann. New York had become the center of Latin music in theUnited States and a musical genre called "pachanga" was the Latin music craze of the time.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 1961, Barretto recorded his first hit, "El Watusi." He was quite successful with the song and the genre, to the point of being typecast (something that he disliked).<sup class="reference" id="cite_ref-RB1_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-RB2_2-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-RB3_3-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">After recording a number of albums for the United Artists label, Barretto joined the Fania record label in 1967, and his first recording for the new label was the 1968 album Acid, an experiment joining rhythm and blueswith Latin music. The album contained the song "A Deeper Shade Of Soul", which was sampled for the 1991 Billboard Hot 100 #21 hit "Deeper Shade of Soul" by Dutch band Urban Dance Squad.<sup class="reference" id="cite_ref-RB1_1-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-RB2_2-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-RB3_3-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 1973, Barretto recorded the album Indestructible, in which he played "La Familia", a song written by José Curbelo in 1953 and recorded by the sonero Carlos Argentino with the Cuban band Sonora Matancera; on this album the singer is Tito Allen. After a number of successful albums, and just as his Afro-Cuban band had attained a remarkable following, most of its members left it to form Típica 73, a multinational "salsa" conglomerate. This left Barretto depressed and disappointed with salsa; he then redirected his efforts to jazz, while remaining as musical director of the Fania All Stars.<sup class="reference" id="cite_ref-RB1_1-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-RB2_2-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-RB3_3-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Barretto played the conga in recording sessions for the Rolling Stones and the Bee Gees. In 1975, he was nominated for a Grammy Award for the song "Barretto". From 1976 to 1978, Barretto recorded three records for Atlantic Records, and was nominated for a Grammy for Barretto Live...Tomorrow. In 1979, he recorded La Cuna for CTI records and produced a salsa record for Fania, titled Ricanstruction, which was named 1980 "Best Album" by Latin N.Y. Magazine, with Barretto crowned as Conga Player of the Year.<sup class="reference" id="cite_ref-RB1_1-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-RB2_2-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-RB3_3-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] ==Later years<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[edit] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 1990, Barretto finally won a Grammy for the album Ritmo en el Corazón ("Rhythm in the Heart"), which featured the vocals of Celia Cruz. Also in the 1990s, a Latin agent, Chino Rodríguez, approached Barretto with a concept he also pitched to Larry Harlow. The idea was "The Latin Legends of Fania", and Barretto, Harlow, Yomo Toro, Pete "el Conde" Rodrguez, Junior González, Ismael Miranda, and Adalberto Santiago came together and formed "The Latin Legends of Fania", booked by Chino Rodríguez of Latin Music Booking.com. In 1999, Barretto was inducted into the International Latin Music Hall of Fame.<sup class="reference" id="cite_ref-RB1_1-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-RB2_2-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-RB3_3-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Barretto lived in New York and was an active musical producer, as well as the leader of a touring band which embarked on tours of the United States, Europe, Israel and Latin America.<sup class="reference" id="cite_ref-RB1_1-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-RB2_2-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-RB3_3-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] ===Death<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;">[edit] === <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Barretto died of heart failure and complications of multiple health issues on February 17, 2006 at the Hackensack University Medical Center in New Jersey. His body was flown to Puerto Rico, where Barretto was given formal honors by the Institute of Puerto Rican Culture; his remains were eventually cremated.<sup class="reference" id="cite_ref-RB1_1-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-RB2_2-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <sup class="reference" id="cite_ref-RB3_3-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[edit] == ===As leader<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;">[edit] === ===With Guarare<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;">[edit] === ===With New World Spirit<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;">[edit] === ===As sideman<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;">[edit] === <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Gene Ammons
 * Barretto para bailar (Riverside, 1960)
 * Latino! (Riverside, 1962)
 * Charanga Moderna (Tico, 1962)
 * Moderna de Siempre (Tico, 1963)
 * On Fire Again (Encendido otra vez) (Tico, 1963)
 * The Big Hits Latin Style (Tico, 1963)
 * Guajira y guaguancó (Tico, 1964)
 * Viva Watusi! (United Artists, 1965)
 * Señor 007 (United Artists, 1966)
 * El Ray Criollo (United Artists, 1966)
 * Latino con Soul (United Artists, 1966)
 * Fiesta En El Barrio (United Artists, 1967)
 * Acid (Fania, 1968)
 * Hard Hands (Fania, 1968)
 * Together (Fania, 1969)
 * Head Sounds (Fania, 1969)
 * Barretto Power (Fania, 1970)
 * The Message (Fania, 1971)
 * From the Beginning (Fania, 1971)
 * Que viva la música (Fania, 1972)
 * Indestructible (Fania, 1973)
 * The Other Road (Fania, 1973)
 * Barretto (Fania, 1975)
 * Tomorrow: Barretto Live (Atlantic, 1976)
 * Energy to Burn (Fania, 1977)
 * Eye of the Beholder (Atlantic, 1977)
 * Can You Feel It? (Atlantic, 1978)
 * Gracias (Fania, 1978)
 * La Cuna (CTI, 1979)
 * Rican/Struction (Fania, 1979)
 * Giant Force (Fania, 1980)
 * Rhythm of Life (Fania, 1982)
 * Todo se va poder (Fania, 1984)
 * Aquí se puede (Fania, 1987)
 * Irresistible (Fania, 1989)
 * Handprints (Concord Picante, 1991)
 * Soy Dichoso (Fania, 1992)
 * Live in New York (Messidor, 1992)
 * Salsa Caliente de Nu York (Universe, 2001)
 * Fuerza Gigante: Live in Puerto Rico April 27, 2001 (Universe, 2004)
 * Standards Rican-ditioned (Zoho Music, 2006)
 * Guarare (1977)
 * Guarare (1979)
 * La onda típica (1981)
 * Ancestral Messages (Concord Picante, 1992)
 * Taboo (Concord Picante, 1994)
 * My Summertime (Owl, 1995)
 * Contact! (Blue Note, 1997)
 * Portraits in Jazz and Clave (RCA, 2000)
 * Trancedance (Circular Moves, 2001)
 * Homage to Art Blakey and The Jazz Messengers (Sunnyside, 2003)
 * Time Was - Time Is (O+ Music, 2005)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Kenny Burrell
 * Blue Gene (Prestige, 1958)
 * Boss Tenor (Prestige, 1960)
 * Up Tight! (Prestige, 1961)
 * Boss Soul! (Prestige, 1961)
 * Twisting the Jug (Prestige, 1961) - with Joe Newman and Jack McDuff
 * Soul Summit Vol. 2 (Prestige, 1961 [1962])
 * Late Hour Special (Prestige, 1961 [1964])
 * Velvet Soul (Prestige, 1961 [1964])
 * Goodbye (Prestige, 1974)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Arnett Cobb
 * Bluesy Burrell (Moodsville, 1962) - with Coleman Hawkins
 * Crash! (Prestige, 1963) - with Brother Jack McDuff
 * Soul Call (Prestige, 1964)
 * God Bless the Child (CTI, 1971)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Celia Cruz
 * Party Time (Prestige, 1959)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Eddie "Lockjaw" Davis
 * Tremendo Trío! (Fania, 1983)
 * Ritmo en el Corazón (Fania, 1989)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Art Farmer
 * Bacalao (Prestige, 1959) - with Shirley Scott
 * Misty (Moodsville, 1960 [1963]) - with Shirley Scott
 * Afro-Jaws (Riverside, 1960)
 * Lock, the Fox (RCA Victor, 1966)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Jimmy Forrest
 * Listen to Art Farmer and the Orchestra (Mercury, 1962)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With the Red Garland Trio
 * Most Much! (Prestige, 1961)
 * Soul Street (New Jazz, 1962)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Dizzy Gillespie
 * Manteca (Prestige, 1958)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Eddie Harris
 * Carnegie Hall Concert (Verve, 1961)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Willis Jackson
 * Mean Greens (Atlantic, 1966)
 * The Electrifying Eddie Harris (Atlantic, 1967)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Clifford Jordan
 * Thunderbird (Prestige, 1962)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Yusef Lateef
 * Soul Fountain (Vortex, 1966 [1970])

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Johnny Lytle
 * Yusef Lateef's Detroit (Atlantic, 1969)
 * In a Temple Garden (CTI, 1979)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Herbie Mann
 * Moon Child (Jazzland, 1962)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Jack McDuff
 * Glory of Love (A&M/CTI, 1967)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Michel Sardaby
 * Somethin' Slick! (Prestige, 1963)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Johnny "Hammond" Smith
 * Michel Sardaby in New York (Sound Hills, 2002)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Sonny Stitt
 * Talk That Talk (New Jazz, 1960)
 * Open House! (Riverside, 1963)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With the Bee Gees
 * Stitt Meets Brother Jack (Prestige, 1962) - with Jack McDuff
 * The Matadors Meet the Bull (Roulette, 1965)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Weather Report
 * Main Course (RSO, 1975)

<p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">With Frank Wess
 * Mysterious Traveller (Columbia, 1974)


 * Southern Comfort (Prestige, 1962)