Heartland rock

Heartland rock is a genre of rock music that is exemplified by the commercial success of singer-songwriters Bruce Springsteen, Bob Seger, Tom Petty and John Mellencamp. It was characterized by a straightforward musical style, a concern with the average, blue-collar American life, and a conviction that rock music has a social or communal purpose beyond just entertainment. It was also associated with a number of country music artists including Steve Earle and Joe Ely, along with less widely known acts such as Southside Johnny & the Asbury Jukes and the Iron City Houserockers. The genre developed in the 1970s and reached its commercial peak in the 1980s, when it became one of the best-selling genres in the United States. In the 1990s, many established acts faded and the genre began to fragment, but the major figures have continued to record with commercial success.



Contents
[hide]  *1 Characteristics  ==Characteristics[ edit] == Bruce Springsteen, the most commercially successful act in the genre of heartland rock, performing in East Berlinin 1988The term heartland rock was not coined to describe a clear genre until the 1980s.[1]  In terms of style it often uses straightforward rock and roll, sometimes with elements of Americana[1]  and country.[2]  Most artists avoided the synthezisers that dominated the electronic rock of the 1980s and placed an emphasis on guitars,[3] with a basic rhythm and blues line-up of drums, keyboards and occasional horn section instruments like a saxophone. Lyrics are often presented in a style that is raspy and unpolished, adding a sense of "authenticity".[4]  It was most strongly influenced by American country, folk and folk rock acts such as Hank Williams,Woody Guthrie,[5]  Bob Dylan, The Byrds, Creedence Clearwater Revival, and the Northern Irish (but heavily American-influenced) Van Morrison, as well as the basic rock of 1960s garage and the Rolling Stones.[1]
 * 2 History
 * 2.1 Origins
 * 2.2 Peak
 * 2.3 Decline
 * 3 Influence
 * 4 See also
 * 5 Notes

Verses often outline narrative stories, particularly of people undergoing hard times and choruses are often anthemic in tone.[3]  It is associated with rural and blue-collar values,<sup class="reference" id="cite_ref-PeakeAbout.com_2-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2]  particularly those of the predominately white working-class regions of the Midwest and the rust belt.<sup class="reference" id="cite_ref-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  It has been characterized as a predominately romantic genre, celebrating "urban backstreets and rooftops",<sup class="reference" id="cite_ref-Keightley2001_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[7]  and its major themes have been listed as including "unemployment, small-town decline, disillusionment, limited opportunity and bitter nostalgia",<sup class="reference" id="cite_ref-Pareles1987_3-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[3]  as well as alienation and despair.<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[8] ==History<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Origins<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Many major heartland rock artists began their careers in the 1960s, as with Bob Seger, or the 1970s, as with Bruce Springsteen and Tom Petty and the Heartbreakers.<sup class="reference" id="cite_ref-PeakeAbout.com_2-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2]  Springsteen would be the first artist to bring heartland rock to US and international attention, and its most commercially successful exponent. After a series of critically highly regarded, but modestly selling albums with the E Street Band, he achieved his breakthrough in 1975 with Born to Run,<sup class="reference" id="cite_ref-RuhlmannSpringsteenAM_9-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[9]  which presented stories of loss, betrayal, defeat and escape in the context of his native New Jersey shoreline, with songs influenced by 50s rock and roll, Bob Dylan and Phil Spector's Wall of Sound.<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[10]  While Springsteen struggled for three years with legal disputes, other artists in a similar vein came to the fore. These included Bob Seger and the Silver Bullet Band,Tom Petty and the Heartbreakers, Eddie Money, and fellow Jersey Shore residents Southside Johnny and the Asbury Jukes.<sup class="reference" id="cite_ref-RuhlmannSpringsteenAM_9-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[9]  In 1978, Springsteen returned with Darkness on the Edge of Town, which reached the top ten in the US and then the number one album The River (1980), which continued the themes of economic and personal dissolution, produced a series of hit singles,<sup class="reference" id="cite_ref-RuhlmannSpringsteenAM_9-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[9]  and has been seen as "getting the heartland rock bandwagon rolling", together with the stripped down sound and darker themes of his next album Nebraska (1982).<sup class="reference" id="cite_ref-Pareles1987_3-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[3] ===Peak<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === John Mellencamp, shown in 2007, among the most successful of the "second generation" of acts in the genre<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The genre reached its commercial, artistic and influential peak in the mid-1980s, with Springsteen's Born in the USA in 1984, which topped the charts worldwide and spawning a series of top ten singles. This decade saw the continued success of established artists and the arrival of new figures includingJohn Mellencamp (initially recording as Johnny Cougar), who has been described as defining the genre in the 1980s,<sup class="reference" id="cite_ref-PeakeAbout.com_2-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2]  Michael Stanley, Joe Grusheckyand the Iron City Houserockers, and more gentle singer/songwriters such as Bruce Hornsby.<sup class="reference" id="cite_ref-AllmusicHeartland_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[1]  A number of country music artists like Steve Earle<sup class="reference" id="cite_ref-ErlewineEarleAM_11-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[11]  andJoe Ely also became associated with the genre.<sup class="reference" id="cite_ref-RhulmannElyAM_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[12]  The first significant female artist in the genre was Melissa Etheridge, whose self-titled debut album issued in 1988 drew critical comparisons with Springsteen and Mellencamp.<sup class="reference" id="cite_ref-Perino2005p137_4-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[4] <sup class="reference" id="cite_ref-PratoEtheridgeAM_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[13] ===Decline<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Heartland rock had begun to fade as a recognized genre by the early 1990s, as rock music in general, and blue-collar and white working class themes in particular, lost influence with younger audiences.<sup class="reference" id="cite_ref-AllmusicHeartland_1-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[1]  However, although some heartland rock artists disappeared from the scene, others continued to record with critical and commercial success, most notably Bruce Springsteen, Tom Petty and John Mellencamp. Their works have become more personal and experimental and no longer fitted easily into a single genre. Newer artists whose music perhaps would have been labeled heartland rock had it been released in the 1970s or 1980s, such as Missouri's Bottle Rockets and Illinois' Uncle Tupelo, were now grouped into alt-country.<sup class="reference" id="cite_ref-PeakeAbout.com_2-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2] ==Influence<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==

Melissa Etheridge, the first significant female figure in the genre, performing live in 2010<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Heartland rock can be heard as an influence on artists as diverse as Billy Joel<sup class="reference" id="cite_ref-Pareles1987_3-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[3]  and Kid Rock, who has performed in concert with John Mellencamp and recorded a duet with Bob Seger for the latter's Face the Promise album.<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[14]  His 2008 hit "All Summer Long" was inspired by Seger's classic "Night Moves" as well as "Sweet Home Alabama" by Lynyrd Skynyrd and "Werewolves of London" by Warren Zevon.<sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[15]  American indie rock bands The Killers and The Gaslight Anthem have been associated with the genre.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[16] <sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[17]