Roy Brown

Roy James Brown (September 10, 1925 – May 25, 1981) [1]  was an American  R&B  singer,  songwriter and  musician, who had a pivotal influence on the early development of  rock and roll by changing the direction R&B was headed in. His original song and hit recording " Good Rocking Tonight" was covered by  Wynonie Harris,  Elvis Presley,  Bruce Springsteen,  Ricky Nelson,  Jerry Lee Lewis,  Pat Boone, and the rock group  Montrose. Brown was the first singer in recording history to sing R&B songs with a gospel-steeped delivery, which was then considered taboo by many churches. In addition, his  melismatical<span style="color:rgb(0,0,0);font-family:sans-serif;line-height:19.1875px;"> pleading, vocal style influenced  B.B. King<span style="color:rgb(0,0,0);font-family:sans-serif;line-height:19.1875px;">,  Bobby Bland<span style="color:rgb(0,0,0);font-family:sans-serif;line-height:19.1875px;">,  Elvis Presley<span style="color:rgb(0,0,0);font-family:sans-serif;line-height:19.1875px;">,  Jackie Wilson<span style="color:rgb(0,0,0);font-family:sans-serif;line-height:19.1875px;">,  James Brown<span style="color:rgb(0,0,0);font-family:sans-serif;line-height:19.1875px;"> and  Little Richard<span style="color:rgb(0,0,0);font-family:sans-serif;line-height:19.1875px;">.

==Early life and education<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">[ edit<span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;visibility:visible;">] == <p style="line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">Brown was born in New Orleans, Louisiana on September 10, 1925.<sup class="reference" id="cite_ref-Dead_Rock_Stars_1-1" style="line-height:1em;unicode-bidi:-webkit-isolate;">[1]  As with many R&B singers, he started singing gospel music in the church. His mother was an accomplished singer and church organist.<sup class="reference" id="cite_ref-we_came_4-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[4]  After a move to Los Angeles, California some time in the 1940s, and a brief period spent as a professional boxer in the welterweight category, he won a singing contest in 1945 at the Million Dollar Theater covering "There's No You", originally recorded by Bing Crosby. In 1946, Brown moved to Galveston, Texas, where he sang in Joe Coleman's group performing mostly songs from the Hit Parade, in a club called the Club Granada. His numbers included a song he wrote entitled "Good Rocking Tonight". After being rejected by the Armed Forces because of flat feet, he secured his first major job in a Shreveport, Louisiana club singing mostly pop ballads such as "Stardust" and "Blue Hawaii." The owner of Bill Riley's Palace Park hired him, as Brown told a Blues Unlimited interviewer, because of his appeal as "a Negro who sounds white."<sup class="reference" id="cite_ref-5" style="line-height:1em;unicode-bidi:-webkit-isolate;">[5]  It was at the Palace Park that Brown started developing a blues repertoire, learning contemporary R&B tunes such as "Jelly Jelly" (recorded by Billy Eckstine).<sup class="reference" id="cite_ref-6" style="line-height:1em;unicode-bidi:-webkit-isolate;">[6]  He returned to New Orleans in 1947, where he performed at The Dew Drop Inn.<sup class="reference" id="cite_ref-7" style="line-height:1em;unicode-bidi:-webkit-isolate;">[7] ==Career<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">[ edit<span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">] == <p style="line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">Brown was a big fan of blues singer Wynonie Harris. When Harris appeared in town, Brown tried but failed to interest Harris in listening to "Good Rocking Tonight." Dejected, Brown approached another blues singer, Cecil Gant who was appearing at another club in town. Brown introduced his song, and Gant had Brown to sing it over the telephone to the president of De Luxe Records, Jules Braun, reportedly at 4:00 in the morning. Brown was signed to a recording contract immediately. Brown recorded the song in a jump blues style with a swing beat. It was released in 1948 and reached #13 on the US Billboard R&B chart. Ironically, Wynonie Harris covered it and hit the top of Billboard's R&B chart later in 1948.<sup class="reference" id="cite_ref-amg_2-1" style="line-height:1em;unicode-bidi:-webkit-isolate;">[2]  Presley also covered the song for Sun Records in 1954; later re-released on RCA Victor when his recording contract was sold to that record label in 1956.<sup class="Template-Fact" style="line-height:1em;white-space:nowrap;">[citation needed]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">Brown continued to make his mark on the R&B charts, scoring 14 hits from mid-1948 to late 1951 with De Luxe, including "Hard Luck Blues" (his biggest seller in 1950), "Love Don't Love Nobody", "Rockin' at Midnight," "Boogie at Midnight," "Miss Fanny Brown," and "Cadillac Baby", making him the undisputed king of R&B for those three years.

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">After his popularity peaked, Brown began to experience a lull in his career. Doo-wop and R&B groups were quickly gaining popularity as the standard sound of R&B in the early to mid-1950s. The decline of his fortunes coincided with his successfully winning a lawsuit against King Records for unpaid royalties in 1952, one of the few African American musicians to do so in the 1950s. This has led some, such as author Nick Tosches (in his book Unsung Heroes of Rock 'n' Roll, which contained a chapter on Brown) to believe that Brown may have been blacklisted. Brown's other misfortunes included trouble with the IRS. When confronted by the government for unpaid taxes he owed, he approached Elvis Presley to ask for help. Presley wrote him a brown paper check, but it wasn't enough to keep him out of jail. Brown did a little prison time for tax evasion. When his popularity ebbed in the rock and roll era, he tried teen-slanted songs like "School Bell Rock", but had little success and subsequently went into semi-retirement.<sup class="reference" id="cite_ref-russell_8-0" style="line-height:1em;unicode-bidi:-webkit-isolate;">[8]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">Brown had a brief comeback through Imperial Records in 1957. Working with Dave Bartholomew, Brown returned to the charts with the original version of "Let the Four Winds Blow" (co-written by Fats Domino), which would become a hit later for Domino.

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">He returned to King Records where his popularity ground down to a low by 1959, but he sporadically managed to find work and do some recording through the 1960s, making appearances where ever he was wanted.<sup class="reference" id="cite_ref-amg_2-2" style="line-height:1em;unicode-bidi:-webkit-isolate;">[2]  To supplement his income, Brown sold the rights to "Good Rocking Tonight." "I was selling door to door," he once reminisced.<sup class="reference" id="cite_ref-9" style="line-height:1em;unicode-bidi:-webkit-isolate;">[9]  He also worked as an encyclopedia salesman.<sup class="reference" id="cite_ref-10" style="line-height:1em;unicode-bidi:-webkit-isolate;">[10]

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">In 1970, Brown closed The Johnny Otis Show at the Monterey Jazz Festival. As a result of the crowd's positive reaction, he recorded "Love for Sale", which became a hit for Mercury Records.<sup class="reference" id="cite_ref-we_came_4-1" style="line-height:1em;unicode-bidi:-webkit-isolate;">[4] ==Later life and death<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">[ edit<span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">] == <p style="line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">In the late 1970s a compilation album of his old work brought about a minor revival of interest. In 1978 he had a successful tour in Scandinavia following the releases of Laughing But Crying and Good Rocking Tonight. Shortly before his death he performed at the Whisky A Go-Go in West Hollywood, California and headlined the New Orleans Jazz and Heritage Festival in 1981.

<p style="margin-top:0.4em;margin-bottom:0.5em;line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">Brown died of a heart attack, at Pacoima Lutheran Memorial Hospital,<sup class="reference" id="cite_ref-11" style="line-height:1em;unicode-bidi:-webkit-isolate;">[11]  near his home in the San Fernando Valley on May 25, 1981. He was 55 years old.<sup class="reference" id="cite_ref-Dead_Rock_Stars_1-2" style="line-height:1em;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-amg_2-3" style="line-height:1em;unicode-bidi:-webkit-isolate;">[2]  The Reverend Johnny Otis conducted the funeral. He was posthumouslyinducted into the Blues Hall of Fame the same year. ==Legacy<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">[ edit<span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">] == <p style="line-height:19.1875px;color:rgb(0,0,0);font-family:sans-serif;">Two of Brown's songs, "Butcher Pete Pt. 1" and "Mighty, Mighty Man" are featured in the 2008 video game, Fallout 3. ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">[ edit<span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;visibility:visible;">] == ===Chart singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;direction:ltr;"><span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;">[ edit<span class="mw-editsection-bracket" style="transition:color100msease-out,margin100msease-out;-webkit-transition:color100msease-out,margin100msease-out;visibility:visible;">] ===