Day-In Day-Out (single):David Bowie

"Day-In Day-Out" is the first track on David Bowie's album Never Let Me Down. It was issued as a single in March 1987, ahead of the album's release.

The song criticised the urban decay and deprivation in American cities at the time, concerned largely with the depths a young mother has to sink to feed her child, including attempting to shoplift and becoming a prostitute. The video was banned and censored as a result.

The single was modest hit, entering the top 10 charts in several countries worldwide.



Contents
[hide]  *1 Song production  ==Song production[ edit] == Bowie wrote the song out of concern for the treatment of the homeless in the US.[1]  The song's R&B roots[2]  were reminiscent of some of Bowie's R&B work in the 1970s[3]  with one author saying that the song is "an example of Bowie's strength in the R&B genre."[2]
 * 2 Music video
 * 2.1 Video production
 * 2.2 Video controversy
 * 2.3 Video award nominations
 * 3 Critical reception
 * 4 Track listing
 * 4.1 7": EMI America / EA 230 / EAX 230 (UK)
 * 4.2 12": EMI America / 12 EA 230 (UK) / Cassette: TCEA 230 (UK)
 * 4.3 12": EMI America / 12 EAX 230 (UK)
 * 4.4 12": EMI / V-19239 (US)
 * 4.5 12": EMI / SPRO 9996/9997 (US)
 * 4.6 Download: EMI / iEAX 230 (UK)
 * 4.7 Video EP
 * 5 Production credits
 * 6 Other releases
 * 7 Chart positions
 * 8 Notes
 * 9 References

The single's B-side, "Julie," was described by one reviewer as the "catchiest" song of all the songs from Never Let Me Down, and lamented that the song was relegated to b-side status.[4] ==Music video<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Video production<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Bowie shot the video in Los Angeles in early 1987, and claimed it was "not going to sell the song at all," and was designed to explore music video as a storytelling format rather than promoting the song itself. Bowie claimed the song was selected as the lead-off single for the album "more as a statement of energy" about the album, as opposed to directly trying for a chart-topping single.<sup class="reference" id="cite_ref-MusicianMag_5-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Bowie took a hand in designing and storyboarding the video, saying "I do the original drawings, the main shot for every situation, and then the storyboardist puts them into sequence, storyboarding backwards and forwards from that. Then I put in the major camera angles that I think would be interesting or different. And Julien puts in his input. I started working this way on the "Ashes to Ashes" video with David Mallet. It was my first real big attempt and it won awards at the time for being a new way of doing videos…."<sup class="reference" id="cite_ref-TW87x_6-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[6]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Julien Temple and Bowie co-directed the video, which made the song's message explicit, showing the young couple's struggle against an uncaring society,<sup class="reference" id="cite_ref-StockholmPress_1-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  watched by a pair of angels through fake video cameras. This was banned by some TV stations (though contrary to popular belief, not the BBC, who showed the first part of the video on their Top of the Pops music show), even after edits removed the female protagonist's heavily implied rape, and an alternate version of a scene where the couple's child spells out "Mom", "Food" and "Fuck" in building blocks (representing the child's cycle of dependency; the alternate version had the child spell out the meaningless words "Mom", "Look" and "Luck").<sup class="reference" id="cite_ref-ct87dido_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Tony Selznik taught Bowie to roller skate for the video. In 2013, Tony recalled the experience, saying "David came across as very humble and in between careers, almost. He was disillusioned with the music industry. I taught him to skate in a parking lot. We shot the video on Hollywood Boulevard at night, with me in a wig and leather jacket as his double for some scenes. The only bad fall involved the instructor: my wheels came off, I was bleeding everywhere, and David helped me clean up. He was so nice, normal."<sup class="reference" id="cite_ref-GUK13_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[8] ===Video controversy<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">When Bowie heard of the video being banned, he stated: "I think it's ludicrous. They [the censors] got caught up in the usual yellow press kind of excitement because of what it looked like instead of what it said."<sup class="reference" id="cite_ref-AmsterdamPress_9-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[9]  During the press tour for the Glass Spider Tour, he was asked about the controversy and responded: <p style="margin-top:0.5em;line-height:inherit;">We asked the LA police to work with us and they did very happily. We wanted to indicate how some of the houses for the homeless are removed, so we asked them to bring along the kind of contraption they use... it's kind of like a tank with a big battering ram on the end of it. And on the end of the battering ram they've made a little joke. As it goes through the windows it goes "Have a nice day." And I pointed out that it would be in the video and they said they were only too pleased to keep it on, so they kept it on. Is that controversial? I don't know."<sup class="reference" id="cite_ref-NewYorkPress_10-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[10] —March 1987===Video award nominations<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The video was nominated for a 1987 MTV Video Music award in the category of "Best Male Video", but lost to Peter Gabriel's video for "Sledgehammer."<sup class="reference" id="cite_ref-mtvvma_11-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[11] ==Critical reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Complaints about poor studio production were common,<sup class="reference" id="cite_ref-BLTA_3-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] <sup class="reference" id="cite_ref-allmusicreview_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[12] <sup class="reference" id="cite_ref-pitchforkreview_13-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[13] <sup class="reference" id="cite_ref-nyt_14-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[14]  although sources did find the song to be "fun"<sup class="reference" id="cite_ref-allmusicreview_12-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[12] <sup class="reference" id="cite_ref-87RSReview_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[15]  and "danceable".<sup class="reference" id="cite_ref-BLTA_3-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] <sup class="reference" id="cite_ref-Spin87_16-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[16] ==Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">All songs written by Bowie. ===7": EMI America / EA 230 / EAX 230 (UK)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === The 7" single cover#"Day-In Day-Out" – 4:14 The red vinyl limited edition 7" single===12": EMI America / 12 EA 230 (UK) / Cassette: TCEA 230 (UK)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===12": EMI America / 12 EAX 230 (UK)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===12": EMI / V-19239 (US)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === ===12": EMI / SPRO 9996/9997 (US)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Download: EMI / iEAX 230 (UK)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === ===Video EP<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === The cover of the video EP#"Day-In Day-Out (video)" ==Production credits<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Other releases<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Chart positions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * 1) "Julie" – 3:40
 * The limited edition release contained a 7" red vinyl disc in a numbered box with a set of stickers and a photo booklet.
 * 1) "Day-In Day-Out (Extended Dance Mix)" – 7:15
 * 2) "Day-In Day-Out (Extended Dub Mix)" – 7:17
 * 3) "Julie" – 3:40
 * 1) "Day-In Day-Out (Remix)" – 6:30
 * 2) "Day-In Day-Out (Extended Dub Mix)" – 7:17
 * 3) "Julie" – 3:40
 * 1) "Day-In Day-Out (Groucho Mix)" – 6:29
 * 2) "Day-In Day-Out (Extended Dance Mix)" – 7:15
 * 3) "Day-In Day-Out (Single Version)" – 4:14
 * 4) "Julie" – 3:40
 * 1) "Day-In Day-Out (7" Dance Edit)" – 3:35
 * 2) "Day-In Day-Out (Extended Dance Mix)" – 7:15
 * 3) "Day-In Day-Out (Edited Dance Mix)" – 4:30
 * 1) "Al Alba" – 5:37
 * 2) "Julie" – 3:40
 * 3) "Day-In Day-Out (Extended Dance Mix)" – 7:15
 * 4) "Day-In Day-Out (Extended Dub Mix)" – 7:17
 * 5) "Day-In Day-Out (12" Groucho Mix)" – 6:29
 * All "Day-In Day-Out" remixes were made by Shep Pettibone except for the "Groucho" mix, which was remixed by Paul "Groucho" Smykle.<sup class="reference" id="cite_ref-RC13_17-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[17]
 * The digital downloads were made available in 2007, 20 years after the single's original release.
 * "Al Alba" is the song "Day-In Day-Out" sung in Spanish.
 * The "Remix," "12" Groucho Mix" and the "Groucho Mix" are all the same mix.
 * 1) "Loving the Alien (video)"
 * 2) "Day-In Day-Out (Extended Dance Mix) (video)"
 * Both "Day-In Day-Out" videos were conceived, written and directed by David Bowie and Julien Temple
 * The "Loving the Alien" video was conceived and written by David Bowie, directed by David Mallet
 * Producers:
 * David Bowie
 * David Richards (record producer)
 * Musicians:
 * David Bowie: Vocals
 * Carlos Alomar: Guitar
 * Sid McGinnis: Guitar
 * Erdal Kizilcay: Bass, Drums, Keyboards
 * The song "Day-In Day-Out" appeared on the following compilations:
 * Glass Spider (1988/2007) – (live video and audio)
 * Bowie: The Singles 1969-1993 (1993)
 * The Singles Collection (1993)
 * Bowie – The Video Collection (1993) – (censored video)
 * Best of Bowie (2002) – (audio in some regions, censored and extended video in all regions)
 * The Platinum Collection (2005)
 * The Best of David Bowie 1980–1987 (2005/2006)