(I'm) Stranded (song)



"(I'm) Stranded" is the first song released by pioneering Australian punk rock band The Saints.[1] [2]  Issued in September 1976, it has been cited as "one of the iconic singles of the era",[3]  and pre-dated vinyl debuts by contemporary punk acts such as the Sex Pistols, Buzzcocks, The Damned and The Clash.[1] [2] [4]  In 2001, it was voted among the Top 30 Australian Songs of all time by APRA.[5] [6]

Written by guitarist Ed Kuepper and vocalist Chris Bailey,[7]  the single was originally released on the band's own Fatal Records label,[1] [2]  with an initial pressing of 500 copies.[8]  In the UK, where the single was at first available only on import, Sounds magazine called it "single of this and every week. ... The singing's flat and disinterested, the guitars are on full stun. ... It's fabulous."[8] [9]  In 2007, Australian Musician magazine voted this the fourth most significant moment in the history of Australian pop/rock.<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[10]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK.<sup class="reference" id="cite_ref-J_Files_4-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[4]  The band's first LP was also called (I'm) Stranded. As well as featuring on their debut album, both "(I'm) Stranded" and the single's B-side, "No Time", appeared on a split EP with Stanley Frank in 1977.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In 2007, "(I'm) Stranded" was added to the National Film and Sound Archive's Sounds of Australia Registry.

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Contents
[hide]  *1 History <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;"> ==History<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[edit] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">The Saints were formed in Brisbane in 1974, initially calling themselves Kid Galahad and the Eternals.<sup class="reference" id="cite_ref-McF_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-Cockington_2-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  They are considered to be one of the first and most influentialpunk groups. The Saints rehearsed in a shed at the back of drummer Ivor Hay's place, which happened to be opposite the local police headquarters.<sup class="reference" id="cite_ref-Cockington_2-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  By 1975, contemporaneous with the Ramones, The Saints were employing the fast tempos, raucous vocals and "buzzsaw" guitar that characterised early punk rock. Guitarist Ed Kuepper explained that they played faster and faster as they were nervous in front of audiences.<sup class="reference" id="cite_ref-Cockington_2-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  The police would often break up their performances, and arrests were frequent.<sup class="reference" id="cite_ref-Cockington_2-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  They found it difficult to get bookings in Brisbane and so formed their own promotion company, their own club (Hay's place became the 76 Club) and their own record label.<sup class="reference" id="cite_ref-McF_1-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]
 * 2 Track listing
 * 3 Personnel
 * 4 Notes
 * 5 External links

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Their first single, "(I'm) Stranded", released in September 1976,<sup class="reference" id="cite_ref-McF_1-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  came out ahead of the debut records by better-known punk acts like the Sex Pistols and The Clash.<sup class="reference" id="cite_ref-McF_1-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-Cockington_2-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] The film clip for the song was filmed at an abandoned terrace house located in the suburb of Paddington. The Saints distributed the single themselves, on their own Fatal label, sending it to overseas record companies and magazines.<sup class="reference" id="cite_ref-Cockington_2-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  In Great Britain, Sounds reviewer Jonh Ingham called it the "single of this and every week". He continued, <p style="margin-top:0.5em;line-height:inherit;">There's a tendency to blabber mindlessly about this single, it's so bloody incredible [...] for some reason Australian record companies think the band lack commercial potential. What a bunch of idiots. You like Quo or The Ramones? This pounds them into the dirt. Hear it once and you'll never forget it. The singing's flat and disinterested, the guitars are on full stun. There's no such thing as a middle eight. It's fabulous.<sup class="reference" id="cite_ref-Jeff_8-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[8] <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">The song was played by influential DJ John Peel in a special punk-themed edition of his BBC Radio 1 programme, broadcast on 10 December 1976. Bob Geldof of The Boomtown Rats later said, "Rock music in the Seventies was changed by three bands—the Sex Pistols, the Ramones and The Saints".<sup class="reference" id="cite_ref-J_Files_4-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[4] <sup class="reference" id="cite_ref-Jeff_8-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[8] <sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[11]  EMI Records in Sydney was contacted by its London head office and told to sign the punk band from Brisbane.<sup class="reference" id="cite_ref-McF_1-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-Cockington_2-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  The Saints resisted being re-modelled into the English punk look and were generally ignored by the Australian press at the time,<sup class="reference" id="cite_ref-McF_1-8" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  which reported that "a sinister new teenage pop cult, based on sex, sadism and violence, is sweeping Britain."<sup class="reference" id="cite_ref-Cockington_2-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  They relocated first to Sydney and then to London, where they were received with excitement on their first regional tour.<sup class="reference" id="cite_ref-McF_1-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-Cockington_2-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  They did not share the spiky-topped, safety-pinned style of the leading UK punk groups<sup class="reference" id="cite_ref-McF_1-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  and preferred to be described as "gutsy realists". Kuepper recalled that, nevertheless, they were swept up in the same punk packaging: <p style="margin-top:0.5em;line-height:inherit;">The band was a full thing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.<sup class="reference" id="cite_ref-Cockington_2-12" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK.<sup class="reference" id="cite_ref-J_Files_4-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[4]  Their first LP was also called (I'm) Stranded.<sup class="reference" id="cite_ref-McF_1-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  As well as featuring on their debut album, both "(I'm) Stranded" and the single's B-side, "No Time", appeared on a split EP with Stanley Frank in 1977. ==Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[edit] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Both songs written by Ed Kuepper and Chris Bailey.<sup class="reference" id="cite_ref-APRA_Stranded_7-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[7] <sup class="reference" id="cite_ref-APRA_Time_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]

==Personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;padding-right:0.25em;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[edit] ==
 * 1) "(I'm) Stranded" – 3:25
 * 2) "No Time" – 2:45
 * The Saints members
 * Chris Bailey — vocals
 * Kym Bradshaw — bass
 * Ivor Hay — drums
 * Ed Kuepper — guitar
 * Recording details
 * Producer — The Saints, Richard Coe, Mark Moffatt
 * Art work
 * Cover art — Savage Pencil