Too Tough To Die:The Ramones

Too Tough to Die is the eighth studio album by the American punk rock band the Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 debut album, Ramones. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.[1]

The album's overall style leaned toward that of hardcore punk and heavy metal music, rather than pop music which had been a focus of several of the band's previous albums. Too Tough to Die borrows and improves upon elements such as guitar riffs from 1983's Subterranean Jungle. For the first time, bassist Dee Dee Ramone performs lead vocals on the album and receives vocal credits for two tracks. The album also contains the band's only instrumental piece, "Durango 95."

Critics appreciated the band's return to earlier methods of writing, recording, and production, noting they strayed from the pop music genre. Despite critical acclaim, Too Tough to Die performed poorly in album sales. At this point in their career, the album was the band's lowest peaking record on the Billboard 200.



Contents
[hide]  *1 Recording and production  ==Recording and production[ edit] == The recording of Too Tough to Die began in the summer of 1984 at the Media Sound Studios in New York City.[2]  The album's recording process used similar techniques which were used to record their 1976 eponymous album,[3]  with Rolling Stone ' s Kurt Loder describing it as "virtually live in the studio."[4]  The album marked the debut of new drummer Richie Ramone, who replaced Marky Ramone after he was fired for excessive drinking.[5]  The album's lyrics were written mainly by guitarist Johnny Ramone and bassist Dee Dee Ramone, while lead singer Joey Ramone did not participate in the process because he "wasn't feeling well" prior to recording.[6]  Joey did, however, write the lyrics for "Daytime Dilemma (Dangers of Love)" after receiving help with the guitar part by Daniel Rey.[7]  Johnny Ramone recalled: <p style="margin-top:0.5em;line-height:inherit;">As we got ready to make Too Tough To Die, we were focused in the same direction, and it made a difference. We knew we needed to get back to the kind of harder material we'd become known for. The pop stuff hadn't really worked, and we knew we were much better off doing what we did best.<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[8] <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Previous Ramones records featured celebrity record producers in an attempt to gain some sort of popularity. Since this method did not yield the results which they were expecting, Sire Records contacted the producers of 1978's Road to Ruin: Ed Stasium and ex-band member Tommy Ramone.<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[9]  Too Tough to Die has less production value than previous recordings by the Ramones. Because critics often disapproved of the sound quality on End Of The Century and Pleasant Dreams, the band leaned towards a harsher sound.<sup class="reference" id="cite_ref-notes_CD_10-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[10]
 * 2 Cover art
 * 3 Music and compositions
 * 4 Reception
 * 5 Track listing
 * 6 Personnel
 * 7 References

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Too Tough to Die was also the first of three studio albums that were licensed from Sire Records to the independent record label Beggars Banquet Records for release in the UK. The deal saw the group's work promoted better and resulted placings on the UK album and singles charts. The group had not charted in the UK since 1980's End of the Century. ==Cover art<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The cover photo for the album was taken by photographer George DuBose in a subway in Central Park, New York City, near the Central Park Zoo. In the photo, the band members are standing side-by-side underneath an underpass arch, with their dark silhouettes illuminated in the background with blue lighting and dry ice fog.<sup class="reference" id="cite_ref-true_196_1-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[1] <sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[11]  Johnny wanted the artwork to conceptually refer to the A Clockwork Orange film, released in 1971.<sup class="reference" id="cite_ref-true_196_1-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[1] <sup class="reference" id="cite_ref-true_195_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[12] <sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[13]  DuBose relates: "Johnny wanted a picture that would evoke memories of the gang in A Clockwork Orange."<sup class="reference" id="cite_ref-true_195_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[12]  DuBose also stated that the band did not need their faces on the cover because they had grown significantly in popularity; however, he originally intended to include their faces. The photograph on the album cover was a "lucky accident" after DuBose's camera malfunctioned and he unintentionally shot the band members in silhouette.<sup class="reference" id="cite_ref-dubose_14-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[14] <sup class="reference" id="cite_ref-true_196_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[1] ==Music and compositions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Just as the recording methods resembled that of the band's 1970's era, the musical style which they produced also favored the band's earlier approach to punk rock. Even though "Howling at the Moon (Sha-La-La)" featured a synthpop feel, the overall genre leaned more so toward heavy metal music rather than pop music, which had been a major focus of the band's writing process throughout the 1980s. Authors Scott Schinder and Andy Schwartz explained: <p style="margin-top:0.5em;line-height:inherit;">With Tommy Ramone/Erdelyi and Ed Stadium returning as producers, the album was, to some degree, the Ramones' response to America's burgeoning hard-core punk scene, and did much to restore the band's musical credibilty ... Too Tough to Die reclaimed the Ramone's original values of energy, catchiness, and brevity without resorting to retro pandering. It also featured the band's strongest set of songs since Rocket to Russia, with Dee Dee (who wrote or co-wrote nine of the album's thirteen songs) demonstrating a thoughtful, introspective edge on 'I'm Not Afraid of Life' and an apocalyptic social conscience on 'Planet Earth 1988.'<sup class="reference" id="cite_ref-ss_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[15] <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Stephen Thomas Erlewine of AllMusic wrote that the album uses the "big guitar riffs" featured on Subterranean Jungle and transfigures them to be "shorter and heavier."<sup class="reference" id="cite_ref-allmusic1_16-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[16]  The songs featured on the album are rather short and have a considerably fast tempo, which was a typical quality of the band's early work.<sup class="reference" id="cite_ref-allmusic1_16-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[16]  The album features the only instrumental piece which the band released: "Durango 95," which clocks in at under a minute.<sup class="reference" id="cite_ref-rs_4-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[4]  The song's name is a reference to a car driven in A Clockwork Orange.<sup class="reference" id="cite_ref-true_195_12-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[12]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Too Tough to Die is also the first Ramones' release which did not feature lead singer Joey Ramone on each track; both "Wart Hog" and Endless Vacation" feature bassist Dee Dee Ramone as lead vocalist.<sup class="reference" id="cite_ref-ss_15-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[15]  Initially, "Wart Hog"'s appearance on the album was declined by Joey, but Johnny argued for including the song, later stating, "If I hadn't lobbied for them, they wouldn't be on the [album]."<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[17]  The lyrics to the song were not included on the initial printing of the album because Sire considered the drug-inspired lyrics to be too explicit for potential fans.<sup class="reference" id="cite_ref-rs_4-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[4] <sup class="reference" id="cite_ref-ss_15-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[15] ==Reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">Too Tough to Die was generally well received by critics. Stephen Thomas Erlewine of AllMusic called it "the last great record [the Ramones] would ever make" and noted that the use of Tommy Ramone as the album's producer was beneficial since it aided in the group returning "to simple, scathing punk rock."<sup class="reference" id="cite_ref-allmusic1_16-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[16]  He also stated that the album reads "like a reaction to hardcore punk," while still maintaining their more melodic style in songs.<sup class="reference" id="cite_ref-allmusic1_16-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[16]  Music critic Robert Christgaualso suggested that the album's sound was a retreat to their earlier styles "with the cleansing minimalism of their original conception evoked," saying there initial sound is "augmented rather than recycled."<sup class="reference" id="cite_ref-christgau_18-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[18]  Kurt Loder of the Rolling Stone concluded his review by saying that "Too Tough to Die is a return to fighting trim by the kings of stripped-down rock & roll."<sup class="reference" id="cite_ref-rs_4-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[4]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The album was the band's lowest peaking record at that point in their career, debuting at number 171 on the US Billboard 200.<sup class="reference" id="cite_ref-allmusic_albums_19-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[19]  It also peaked at number 49 on the Swedish Sverigetopplistan chart,<sup class="reference" id="cite_ref-Swcharts_20-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[20]  and in a revival of fortunes spent three weeks on the UK Albums Chart where it peaked at number 63.<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[21]  The only single released from the album, "Howling at the Moon (Sha-La-La)" (backed with "Wart Hog" in the US and "Chasing the Night" in the UK) peaked at number 85 on the UK Singles Chart, where it spent two weeks.<sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[22] ==Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The following track listing can be verified through the Too Tough to Die expanded edition liner notes.<sup class="reference" id="cite_ref-notes_CD_10-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[10] ==Personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;">The following personnel can be verified through the Too Tough to Die expanded edition liner notes.<sup class="reference" id="cite_ref-notes_CD_10-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[10]


 * Ramones
 * Joey Ramone – Lead vocals
 * Johnny Ramone – Lead guitar
 * Dee Dee Ramone – Bass, guitar, backing vocals, lead vocals on tracks 5, 12, 17, 19, 20, 24
 * Richie Ramone – Drums, backing vocals
 * Additional musicians
 * Walter Lure – Extra guitar (on some tracks)
 * Jerry Harrison – Synthesizer ("Chasing the Night")
 * Ben Tench – Keyboards ("Daytime Dilemma (Dangers of Love)")
 * Production
 * Tommy Ramone – Producer
 * Ed Stasium – Producer
 * Dave Stewart – Producer ("Howling at the Moon (Sha-La-La)")
 * Tony Wright – Cover design
 * George DuBose – Photography